And although I am very much tired of it, this list does not include “manpain,” because that is such a broad category with too many examples to list, and it does not include “dead women in general,” because last week got into specific dead female character tropes and again, it’s pretty straightforward and also happens too much.
5. Invisible femslash
Which is to say, romantic relationships between women that were either explicit or heavily implied being either not shown or narratively disregarded. As seen this year with:
– True Blood, Pam (Kristin Bauer van Straten) and Tara (Rutina Wesley) making out at the end of season five with such promise and then being given exactly one offscreen sex scene and one moment of high-on-the-blood sunshine elbow sex and otherwise barely interacting in a pleasant fashion.
– The Walking Dead, another Tara (Alanna Masterson) mentioning in conversation that she had been with a girl before and promptly finding Alisha (Juliana Harkavy) to be in a relationship with but to never get to do more than lay on top of a bed with before Alisha went amoral and died.
– Warehouse 13, which I do not watch but I heard all about the disaster with Myka (Joanne Kelly) and HG (Jaime Murray), so I asked my friend to write some on it for me, which is posted here.
4. Varyingly pedophilic potential Stockholm
When a male character exerts an uncomfortable amount of sway over a younger female character and all you can think is “no no no, get your hands off now!” even if his hands are never actually on her. (They usually are, though.) Definite undertones of (sexual or non-sexual) dubcon here, too.
– True Blood, Jessica (Deborah Ann Woll) inexplicably returning to Bill (Stephen Moyer) and then dressing up like a sexy schoolgirl to kidnap for him, luring the fairy girls to his house, then getting high off of their blood when she drank it and trying to make out with him.
– Game of Thrones, Sansa (Sophie Turner) and Baelish (Aidan Gillen), which is book canon but which slightly felt like they were trying to slant it toward her not having as much of an issue with it for whatever reason so that was even worse.
– Boardwalk Empire, Daughter (Margot Bingham) and Narcisse (Jeffrey Wright) and their whole screwed up dynamic.
3. Oedipal undertones
When a female character expresses an uncomfortable amount of interest over a younger male character that they are related to. Often involves abuse of an emotional or sexual sort. (And mind, I get just as angry about abusive/creepy fathers, but I’ve noticed more abusive/creepy mothers on television lately.)
– Boardwalk Empire, Gillian (Gretchen Mol) having way too much interest in getting Tommy (Brady and Connor Noon) returned to her custody in lieu of her dead son and Tommy’s dad Jimmy (Michael Pitt), who she had previously also had an Oedipal relationship with.
– Sons of Anarchy, Gemma (Katey Sagal) sometimes gives off a bit of this vibe toward Jax (Charlie Hunnam) though it’s not been acted on.
– American Horror Story: Coven, Alicia (Mare Winningham) quite clearly emotionally and sexually abusing her son Kyle (Evan Peters).
2. Love triangles and/or infidelity
Exactly as it says on the box.
– True Blood, mainly in the six months later flash forward that set up a potential season seven Alcide (Joe Manganiello) and Sookie (Anna Paquin) and Bill love triangle since apparently show!Sookie will never be able to let Bill go, or at least the narrative will never be able to let them go.
– American Horror Story: Coven, Kyle and Zoe (Taissa Farmiga) and Madison (Emma Roberts) in their messy triad that had the potential to actually be a triad but is not.
– Mad Men, Peggy (Elisabeth Moss) and her boyfriend Abe (Charlie Hofheimer) and her boss Ted (Kevin Rahm) and the reduction of her usually-engaging and often work-centered plotlines to an underachieving boy-overachieving girl-authority figure love triangle.
1. Conscious irresponsibility
Not irresponsibility insofar as doing reckless things per se, but irresponsibility as in a lack of overt responsibility for one’s actions. Often does go hand-in-hand with manpain, actually.
– True Blood, Bill at least somewhat acting like he hadn’t taken Lilith’s blood at the end of the previous season with murderous intent (Jessica asking wasn’t it a good thing that Lilith was gone, Bill agreeing that yes, probably) and never once acknowledging that the whole situation with the governor’s vamp camp was taking place because he’d said at the Authority table, “hey, let’s blow up the TruBlood factories!”
– The Walking Dead, Rick (Andrew Lincoln) and the Governor (David Morrissey) and every time they spoke to each other or others saying and thinking things like “I didn’t have a choice but to do [x thing]!”
– Mad Men, Don (Jon Hamm) as a total person. Actually, most of the guys in the office at least sometimes.
–your fangirl heroine.
Tags: aidan gillen, alanna masterson, american horror story: coven, andrew lincoln, anna paquin, boardwalk empire, brady and connor noon, charlie hofheimer, charlie hunnam, david morrissey, deborah ann woll, elisabeth moss, emma roberts, evan peters, game of thrones, gretchen mol, jaime murray, jeffrey wright, joanne kelly, joe manganiello, jon ham, juliana harkavy, katey sagal, kevin rahm, kristin bauer van straten, mad men, mare winningham, margot bingham, rutina wesley, sons of anarchy, sophie turner, stephen moyer, taissa farmiga, television tuesday, the walking dead, top 5/6, true blood, warehouse 13