Tag Archives: sophie turner

Television Tuesday :: a devil’s bargain?

25 Jul

Spoilers for Game of Thrones weeks one and two ahead.

You guys, I really want to maintain my passion for this canon. I’m sure you know that. For the most part the first two episodes have been perfectly fine! Sure there’s been a fair bit of “yes, but…”

  • Jon (Kit Harington) and Sansa (Sophie Turner) coexist and have some modicum of mutual respect for each other, and he gave her leadership credentials while he was away on business, but also they disagree openly and at least once per episode and the potential conflict between them is a major talking point of what’s to come.
  • Sansa and Jon have both essentially told Littlefinger (Aidan Gillen) to bugger off, but he still hasn’t.
  • Brienne (Gwendoline Christie) is there, supporting the hell out of Sansa, but she hasn’t actually done all that much (nor have the circumstances of Brienne’s last scene in s6 been discussed, which isn’t that big of a deal but should probably happen at some point in some context).
  • Lyanna (Bella Ramsey) has been kicking everyone’s asses verbally, but I really want to see her take up arms dammit.
  • Arya (Maisie Williams) had a very nice moment with some Lannister-military randoms, but one of them was Ed Sheeran and I am opposed to that on principle.
  • Arya also ran into her direwolf Nymeria, but Nymeria is a damn wolf and wanted to stay in the Riverlands doing wolf stuff. Arya understood this, but it was still sad.
  • Daenerys (Emilia Clarke) has people around her and that’s really cool, but nobody seems to be 100% on the same page of how to handle things.
  • Grey Worm (Jacob Anderson) and Missandei (Nathalie Emmanuel) had an absolutely beautiful love scene that was honestly revolutionary and I’m kind of shocked it even happened because it was so beautiful and also given the particulars it was not really like love scenes on anything, but now I’m worried about both of them because of it.
  • Euron (Pilou Asbaek) is more like he is in the books, but that means he’s actually the worst terrible curse word and has already done things that rank him with being as heinous as Ramsey Bolton. Things that are so heinous I didn’t even watch them, just read about them because I am bloody furious. Expect, by season’s end, an essay on the mishandling of my Dornish babes. Because Anger is happening.
  • We’ve finally seen the alliance between Dany, Yara (Gemma Whelan), Ellaria (Indira Varma), and Olenna (Diana Rigg), and while contentious in part (as mentioned above) it’s a bunch of badass ladies being badass, but we’re only two episodes in and everything has already gone to hell for them.
  • Yara and Ellaria kissed, but now they are both at assface Euron’s mercy.
  • Obara (Keisha Castle-Hughes), Nymeria (Jessica Henwick), and Tyene (Rosabell Laurenti Sellers) had an actual scene with lines and conversation and sister banter and the actresses have such a good dynamic with each other even though I wish they’d get to show the non-banter aspect of their sisterhood too, but Obara and Nym are now dead and Tyene is also at assface’s mercy. Did I mention how mad I am?

It’s a devil’s bargain. You get some things and have to give up others. You’re so happy about beautiful things but then Euron exists. Etcetera.

–your fangirl heroine.

drinking20my20cup20of20fuck20you

Fashion Friday :: my sweetest murderprincess.

6 Jan

473327-sansa-stark-in-game-of-thrones-season-6-episode-9-battle-of-the-bastards-1

Because really, there was nothing more satisfying than watching Sansa (Sophie Turner) walk away from the kennels where Ramsay (Iwan Rheon) was getting eaten alive with that little smile on her face.

exquisite

I would also like to point out that her wolfy murder dress was Tully teal. Not that the Tullys had teal in their house colors, but Catelyn was all about teal in her wardrobe. Her outfit was an interesting marriage of her parents. I wanted to find a velvet one to go with but it was difficult to find a proper one. So here we are. This has texture and color and it’s femme in a fuck-you kind of way. Exquisite Elegance Dress in Lake, ModCloth.

cape20me

While I’m not usually a faux-fur person, it’s kind of necessary to this particular look. Cape Me Company Coat, ModCloth.

va20va

We layer in the North. Va Va Voluminous Petticoat in Black – Short, ModCloth.

layers20of

And wear tights ’cause it cold. Layers of Fun Tights, ModCloth.

acrylic

Imagine it’s the grey one. For Lady. Acrylic Running Wolf Necklace, SushiStudios at Etsy.

–your fangirl heroine.

watching

Television Tuesday :: 2016 and the No Trope Bingo cards

27 Dec

Ah, our old friends.

Disclaimer: I have watched maybe like… eight different shows this year because I literally can’t be bothered to undertake a lot of things that people tell me I should because I know they’ll fail me eventually and I’ll be sad.

notropebingo

Bechdel fail: Agent Carter was again 100% on this, of course. (This season was far from perfect, but I’m still going to miss you, my Peggy my darling.) Agents of SHIELD‘s 2015 efforts put them above 90%, including a couple episodes that were just “smack the Bechdel test in the face,” so that’s pretty damn good; Game of Thrones also stepped it up this year, coming in around 70% I believe (the document I was keeping track in, very scientifically, got lost when I switched phones this week, oops). At least in my shows, this year did better at this than other categories.

disregarded logic: I mean, The Librarians always disregards logic. That’s kind of its thing. But again, I did not do too much screaming at my television going “THIS MAKES NO SENSE,” unlike years prior.

underused/invisible POC: Agent Carter… managed a whole one POC character this year, Jason Wilkes (Reggie Austin), so that was still not great but one is at least better than none. Game of Thrones did not know what the hell to do with Missandei (Nathalie Emmanuel) and Grey Worm (Jacob Anderson) this year, which was annoying, nor did it give the Sand Snakes a lot to do although what little they did was still, in my opinion, delicious. Penny Dreadful racebent Dr. Jekyll and Dracula, so that was kind of cool? And then meanwhile Agents of SHIELD ran a glorious parade of POC characters and killed two white guys, while Luke Cage was beautifully black all the time and deal with it if you don’t like it. I feel like statistically this is a decent picture of television at large. A lot of things not really succeeding, a few standing much farther out.

dead family manpain: the Tower of Joy, which only halfway counts. Dead daughters came up sometimes, but usually from women. I’ve managed to cut most of the dead family manpain out of my television life, I hope.

invisible lesbians: no, this year was just full of dead lesbians and Sapphic ladies, in outstanding number but mostly not on my own shows. Game of Thrones instead gave us Yara Gayjoy (let’s be real, probably more like Yara Female-Leaning-But-Pan-joy, but the pun is too good) and let her shine. Penny Dreadful had a Sapphic army. And all the women of SHIELD continue to be outstandingly queer together, though it goes unsaid, but it’s not like it’s been said and it’s not being shown. It’s just implicit and I have a lot of feelings about it (also, Jemma Simmons is in the narrative closet and I will passionately argue this point based on my own real life experience).

vicious female rivalry: the demon possessing Kate (Madison Davenport) and Kisa (Eiza Gonzalez) got pretty scrappy. But considering that the paradigm of this category is Cersei vs. Margaery, it’s not quite the same thing. Cersei (Lena Headey) did in fact get way too vicious on Margaery (Natalie Dormer) and I mourn but also, narratively, at least we finally got Feast for Crows Cersei.

ho-yay: there’s none I’m explicitly recalling, which means if there was any it at least wasn’t overall detrimental.

infectious diseases: thank the gods, no.

dead prostitutes: there was a passel of them on Preacher, but Tulip (Ruth Negga) made her opinions abundantly clear and that was sort of justice for them. On the other hand, Lily (Billie Piper) led the above-mentioned army of prostitutes who murdered men for abusing them, and though poor Justine (Jessica Barden) willfully went to her end, they took revenge and it was beautiful.

dead little girls: see above re: families. Again, nothing egregious, thank the gods.

sexualized violence: eh. There’s a fine fine line, which is always tread by television and film. Nothing egregious, but also could be avoided more.

Madonna/whore: there was a bit of a play with this with Margaery’s religious conversion, but it wasn’t narratively sanctioned so much as acknowledged as a game she was playing.

Oedipal undertones: Cersei’s always a little cesty with her family members, including baby Tommen (Dean Charles Chapman), but with Cersei it kind of just is what it is and you move on.

fridging: aside from the 10001 dead Sapphic women, many of whom I cannot speak to personally, and beloved Barb (Shanon Purser), poor Margaery passed, but I don’t know it was a traditional fridge; Vanessa (Eva Green) met her end but it was of her volition; Emily (Lucy Griffiths) was among the dead of Preacher but, eh, that was a whole town, it could be worse; Candace (Deborah Ayorinde) was more vaulted than fridged; but Lincoln Campbell (Luke Mitchell) died in a literal fire and took the corpse of Grant Ward (Brett Dalton) with him and that was justice.

gratuitous sex: I mean, nobody needed to see Grand Maester Pycelle all postcoitus but at least he died and it was also justice. A lot of sex scenes were awkward but not singularly space-fillers.

inappropriate male attention: as I cast disapproving eyes on Hive. As I cast disapproving eyes on anyone who ever looked at Nancy Wheeler, ever. As I cast disapproving eyes on Uncle Asshat Greyjoy. As I cast disapproving eyes on Dracula. Etc. This will be a problem for all eternity.

pedophilic Stockholm: mm, Sansa (Sophie Turner) basically told Littlefinger (Aidan Gillen) to fuck off in the most ladylike way possible so that was satisfying.

infidelity: see also, the Tower of Joy. Etc.

custody battles: no, thank the gods.

conscious irresponsibility: Jesse (Dominic Cooper) was irresponsible, but he was also possessed, so that kind of makes up for it. Etc.

narrative neglect: see above re: Missandei, Grey Worm, and the Sand Snakes. That would be my largest complaint.

uneven f :: m ratio: technically, this is true basically everywhere. SHIELD‘s main/main supporting cast is fairly even, and Agent Carter‘s wasn’t bad; overall, more ladies, though.

narratively excused sociopathy: plenty of sociopaths but the narrative fully knew how they were sociopaths and said it.

love triangles: eh. Ehhhh.

notropebingo2

window dressing: mm, not in any particularly gratuitous circumsance.

narratively excused intolerance: see also: Preacher is set in a small town in Texas. It’s excused, but also it’s a picture of just that things are bad.

lack of POC: see above.

general male brooding: the only thing Lincoln Campbell did before he died, really.

lack of queer people: much much. I will observe that apparently Supergirl (which I’m still not watching, I admit) has done some cool coming-out stuff so that’s nice to hear.

narratively enforced gender policing: what of it I’ve seen has mostly been called out.

compulsive heteroeroticism: see also, romantic FitzSimmons. Jeepers.

crazy inbred hillbillies: none of those I’ve dealt with this year.

slut shaming: I’m sure there’s been but aside from the Margaery situation I’m blanking.

children as plot devices: Tommen is a plot device but honestly, that’s just how it is. Most of the kids this year were human props.

police brutality: requisite “I hate the Sokovia Accords and everything that comes from them even though a lot of it isn’t even on the TV shows” mention. Also, Luke Cage, but that was calling that out.

love interest syndrome: ah, my poor Jemma (Elizabeth Henstridge). It’ll be nice when this mess is over with. For example.

pseudo-incest: hm. I could have done without Mike (Finn Wolfhard) and Eleven (Millie Bobby Brown). That’s kind of in this category.

vaulting: see above re: Candace, for the biggest example.

gratuitous consequenceless substance abuse: mm, nah, I think there were pretty well consequences.

excused unwanted overtures: and most of these were unexcused, at least.

forgive your abusers: one interesting thing about the unfortunate Hive situation was, at least, Daisy’s (Chloe Bennet) stages of grief regarding her abuse, so that was the opposite of this… but then, this is another reason I’ll drag romantic FitzSimmons, though it’s obviously to a lesser degree. So.

compulsive motherhood: not really?

“don’t do the brave thing”: a fair amount of “I am doing a brave thing but you should not because you don’t deserve to get hurt,” which isn’t the same.

(evil) white guy redemption arc: mm hey, remember how Grant Ward died twice?

narrative double standard: catchall because always, often in critical reactions.

women as plot devices: again. Sort of always.

narratively excused non-con: this year was much better.

past non-con as cheap plot device: also better.

I’m less angry this year, but I watched fewer things. So.

–your fangirl heroine.

underestimate20the20girl

Television Tuesday :: a season 6 wrap-up.

5 Jul

Game of Thrones‘ season six was… well, it was pretty all right. I mourn my sweet gay babies Margaery (Natalie Dormer) and Loras (Finn Jones), bless them, but overall I am not disappointed and after last year’s mess that’s something, anyway? The requisite list of positives.

11. Davos (Liam Cunningham) finding out about Shireen (Kerry Ingram).
As y’all know, Shireen being murdered was my least favorite thing to happen in season five, and that’s saying quite a lot. So I guess it was a form of catharsis to see Davos finally find out what happened to his favorite girl and get really, truly mad about it. (I also liked that when Jon [Kit Harington] found out he didn’t have Melisandre [Carice van Houten] killed immediately but instead sent her on her way with a warning.)

10. Lyanna freaking Mormont (Bella Ramsey).
What a brilliant, scene-stealing kid. I had never seen her before in my life but my reaction after her first scene was “I’m so proud of her!” Boy howdy I love Mormont women just about as much as I don’t give a damn about the most prominent Mormont man.

9. Sam (John Bradley) and Gilly (Hannah Murray).
I actually quite liked the Horn Hill scenes, just overall; I liked how nice Sam’s mom and sister were, I liked how awkward Gilly was changing her clothes for the first time ever, I liked how Sam and Gilly both stood up to Sam’s jerk dad, I like how the power of love prevailed. And I really liked the Citadel library, sidenote.

8. Missandei (Nathalie Emmanuel) and Grey Worm (Jacob Anderson).
I just really like these two. I was not a big fan of all of the treading water that Tyrion (Peter Dinklage) had to do or how pointless most of his scenes felt, and in turn many of Missandei and Grey Worm’s, but Missandei and Grey Worm themselves are always wonderful. I really like how Missandei had no time for Tyrion’s bullshit plans and made no secret of that. I really like how the two of them spent most of the season dressed like dominatrixes/the male version thereof. I also really like that Missandei always calls him by his name in Valryian. That makes me smile a lot.

7. The Dornish matriarchy overhaul.
We had a beautiful moment with Ellaria queen (Indira Varma) and the Sand Snakes (Keisha Castle-Hughes, Jessica Henwick, Rosabell Laurenti Sellers) in the first episode, one cursory mention around 6.03 or 6.04 of the fact that they’d taken over Dorne, and then treaty negotiations with Olenna (Diana Rigg) in the finale. We didn’t see much of this matriarchy overhaul, but I support it fully. This puts me in the minority and I don’t give a single damn.

6. Sansa (Sophie Turner) and Jon.
Sansa and Jon really didn’t have a relationship before they went their separate ways in season one, but their reuniting was beautiful and their relationship development has been fascinating. The obvious thing to say is that it’s an indicator of Sansa’s increased maturity; it’s also giving her a chance to finally be volatile in productive-to-the-plot ways. Fucking Littlefinger (Aidan Gillen) is not looking to make this a happy ending, but it’s really interesting right now.

5. Sansa and Brienne (Gwendoline Christie).
Yes. This did not disappoint, Brienne’s loyalty is overwhelming, and I’m glad they at least still have each other.

4. Sansa and misandry.
One of the most brilliant moments this entire season was just Sansa’s facial reactions to Ramsay (Iwan Rheon) being killed by his dogs. Another thing I liked was when she yelled at Jon for not involving her in battle plans even though she knew about Ramsay more than any of them did. I also really liked her reaction to fucking Littlefinger’s completely unsurprising but nasty fantasy scenario: hand on the chest for stop, don’t touch me there, then “it’s a pretty picture” dripping disdain as she walked away. Sansa Stark is done with men and it’s beautiful.

3. Feast for Crows Cersei (Lena Headey).
Otherwise known as: I have been waiting for the Cersei I know from her POV chapters to finally get to show up and that Cersei is insane. Unfortunately, Benioff and Weiss seem too concerned with making the Lannisters sympathetic at times to allow them to be as interesting as in the books, so it was a long time coming for the full reveal. But now, after doing some horrible things and having some horrible things happen as a consequence, the Iron Throne is sat by completely bonkers Cersei, Darth Cersei, Mad Queen Cersei. I’m thrilled and Lena is going to do a great job.

2. The Targaryen-Greyjoy-Martell-Tyrell alliance.
I mean, I’m not keen on the fact that it had to come partially because of Margaery and Loras’ death, but “so Yara goes to Meereen, right, and she hooks up with Dany, and then Varys goes to get the Martells in on it because they have a thing with the Targaryens, and then the Tyrells come too because they’re awesome” sounds… not unlike some of my personal ideal scenarios. The show has less lady-kissing in this alliance (because Margaery is dead now and never confirmed queer, because they haven’t mentioned Nym being bisexual in the show yet, etc.) but it’s still happening.

1. Dany (Emilia Clarke) and Asha-Yara (Gemma Whelan).
But there might be lady-kissing here! It’s now canon that Asha-Yara likes girls (and she didn’t die!) and both actresses have mentioned that there is some definite flirtation going on between these two. They bantered about why Dany should accept these Greyjoys’ offer of ships and alliance, which is because Euron’s offer would come with marriage demands. “And I imagine your offer is free of any marriage demands?” Dany banters. “I never demand, but I’m up for anything really,” Asha-Yara declares, in a conversation that does sound just as Sapphic as my fantasy endings. I don’t know how this is going to go but dear gods let it go right. Because, quoth poor lost Doreah, “love comes in at the eyes,” and those two were making significant eyes at each other. (Also, Dany broke up with Daario [Michiel Huisman] spectacularly.)

–your fangirl heroine.

fidget

Spoiler Alert Saturday :: my thoughts on X-Men: Apocalypse

18 Jun
  1. Oh my Sophie if only you had been Jean Grey in a more cohesive film. You were wonderful but. Yeah.
  2. Lana Condon as Jubilee and Alexandra Shipp as Storm didn’t have enough to do but they were cool also.
  3. If they mess up X-23 I am going to do murder on drift partner’s behalf.
  4. I wish Rose Byrne’s entire role hadn’t been to be shocked and/or confused and/or starstruck.
  5. So Psylocke (Olivia Munn) is the next villain?
  6. Also her costume was straight-up terrible.
  7. I snorted softly at many moments in this film, ones I probably wasn’t supposed to snort at
  8. I also dryly muttered “a-ha-ha” at every attempt at metahumor.
  9. I straight-up chortled at “you’re going to need a bigger house” or whatever, though.
  10. Super cool how they gave Magneto (Michael Fassbender) a wife and daughter (Carolina Bartczak and T.J. McGibbon) literally just so they could murder them so he was sad.
  11. That was also just… a ridiculous murdering. An accidentally-shot arrow hit both of them through the heart?
  12. I spent a good half of the time Magneto was present having to bite my tongue so I did not start singing “Night Surgeon” from Repo! with modified lyrics. (“Remember who you are / I reMEEEEMber / remember what you did to Magda / remember who you are / I reMEEEMber / remember what you did to her.”)
  13. I also spent most of the sequence where Apocalypse (Oscar Isaac) and Magneto were building pyramids and disasters out of sand and metal garbage biting my tongue so I did not start singing “Let It Go.”
  14. I am not comfortable with the amount of adult male face-touching Jean partook in.
  15. I wish I’d been taking notes like I did during Batman V Superman, honestly.

–your fangirl heroine.

omg20no20those20assholes

Fashion Friday :: Westerosi influence on wedding style (part 3)

13 May

I’m not even talking about the Civil War reenactment tragedy that we’re just not going to speak of anymore, but Sansa’s (Sophie Turner) season 3 wedding dress has had influences.

14975191740_a372d869c1_b

And its back.

sansa 2

This Petite Lace Tulle Wedding Dress… it isn’t exactly.  But the pattern of the lace, the arches at the hips… there’s something there.

sansa 1

The tone of this Brocade Wedding Dress with Pockets is insanely… yeah.

sansa 3

Again, not quite, but this Cap Sleeve Mikado Wedding Dress is… reminiscent.  I think it’s the heavy fabric that’s doing it for me.  Sansa has the most “princess” dresses (and ironically is the reason I roll my eyes every time someone on Say Yes says they want a princess wedding).

sansa 4

Those hips though.  This Quarter Sleeved Lace Wedding Dress takes another element.

sansa 5

And look at that neckline detail on this Off the Shoulder Tulle Wedding Dress I mean.

All of these have been by the same designer, I feel I should mention, and there are less… obvious influences throughout the collection too.

–your fangirl heroine.

galaxy-sized20fuck20you

 

Television Tuesday :: my Westerosi dumpster isn’t on fire yet

3 May

So I came into season six of Game of Thrones pretty much like “well, I’m stuck here.”  Because, in a way, I am.  This show has done so many things that would make me ragequit another show (Sansa and Shireen last season being among them) but, because of my furious passion for the women and because it’s a thing I do With People and because I’ve committed to much of my energy and honestly my love to it, I can’t do that.

I’m here.

I’m going to grit my teeth and suffer for the small moments of beauty.  Here are a few from the first two episodes.

5. The explanation that no man can lay with a dead Khal’s wife.
This is literally the lowest freaking bar possibly set.  But considering that uh, this show and also Khals as a rule have a whole lot of rape, I was afraid that the Dany (Emilia Clarke) storyline this season would devolve into rape.  At least it (probably) won’t, given this canonical rule.

4. Dolorus Edd (Ben Crompton).
I love badass Eeyore.  That is all.

3. Asha-Yara (Gemma Whelan).
No, you guys, I don’t think you have any idea how excited I am about what’s to come with her (hopefully).  On two fronts.  And I’ve missed her.

2. Sand Snakes.
So my mom is on a message board, which led her to the conclusion that we are about the only people who’ve read the books who liked the bloody coup de grace that Ellaria (Indira Varma), Tyene (Rosabell Laurenti Sellers), Nymeria (Jessica Henwick), and Obara (Keisha Castle-Hughes) pulled.  Then again, she used to lurk on a different message board, where we were the only ones who cared about Dorne at all.  I keep telling her there’s a really easy way to explain this.   Apparently it’s “not like the books” well, at this point the show isn’t. Apparently (according to my dad) they’re all evil because they murdered their uncle and that sweet little girl (I am still sad about Myrcella, but y’know) and that nice young man.  They kinslayed, therefore they “have it coming.”  My dad also thinks that Oberyn dying was his own fault and apparently doesn’t remember that the Lannisters were (as Ellaria explicitly pointed out?) responsible for the rape and murder of Oberyn and Doran’s sister, not to mention the deaths of said sister’s children.  I don’t think that the Sand Snakes are evil.  I think they got fed up with the fact that the person in charge was out of touch, wasn’t doing anything to seek rightful justice for his family, was just going to sit back and do nothing in general, and they took matters into their own hands in a way that was extreme but also my mom and I couldn’t stop grinning because oh my god and also (in my case) fuck the patriarchy a little bit.  Also, I just love them and they’re beautiful.

I haven’t talked to my dad about episode two yet, but he sure didn’t walk into the room tonight when he got home from the gym and interrupt my mother’s and my conversation to tell us firmly that a certain Iron Islander kinslayer was evil and had it coming.  Just saying.

1. Sansa (Sophie Turner) and Brienne (Gwendoline Christie).
This scene was so beautiful my mom cried.  This scene was so beautiful I made drift partner go find me gifs of it (because I’m afraid to go into GOT tags on tumblr).  This scene made me so happy.

–your fangirl heroine.

okay20but20really