Jesca Hoop is a weirdo and I like her.
“Memories Are Now.” This song feels a little disorienting, which I mean as a compliment. Like it’s sweet but also there’s just a lot of things going on but also the lyrics are kind of going in circles, nice circles, I’m into it. This is a strange effect. She’s good at that kind of weird shit. I like it.
“The Lost Sky.” “You became the dark star and left me all alone” or maybe “dog star” but “dark star” is creepier and I like that. “Out of our secrets we built a home” that’s also nice. This is just interesting and it’s foreboding for reasons I cannot at all fathom. Maybe it is “dog star.” I like that too, don’t get me wrong. Either way. This is nice. (I would also like to let you know, Very Certain Reader, that I instinctively typed it “Darkstar” the first time.)
“Animal Kingdom Chaotic.” Typewriter noises! “You know you wanna but computer says no” mm Jesca honey are we going to have to have to have a talk about the fetishization of computer hating? We might. It’s a pretty song if you don’t pay attention to that. I don’t know. I’m just really sensitive because like. Computers aren’t the devil, guys. It’s important to engage with living things too, but mm. Yeah. “Robots are the new exotic” on that note, y’all, don’t fuck robots.
“Simon Says.” I think part of it is that there’s always this weird lilting singsong thing to her songs, but there are also thousands of levels sometimes. It’s entrancing. It’s easy to kind of just fall in.
“Cut Connection.” This song seems sort of angry about something, which is not bad. Or maybe just vehement in a way a lot of hers aren’t. It’s interesting. Angry army war music.
“Songs of Old.” Also the songs sound somehow at once timeless and unusual, like they’ve always existed forever but there’s nothing quite like them. It’s a strange combination, but I like it. It works. This one especially feels embedded in like, legend. Maybe that’s partially the like, legendary type lyrics, rocks of ages and empires and stuff, but it also just feels that way. Solemn.
“Unsaid.” More lilting. “The night is long and the bed is cold and the heart is hard and the embers cold and the door is closed when you walk away” I think I’m fascinated by really long musical sentences that sort of blend into each other like this. Also the instruments make it sort of feel like a jig. At a Renaissance Fair. But in a good way. Not that those aren’t good, but I mean it’s not cheesy-sounding. It’s not trying too hard.
“Pegasi.” Strum strum! “You’re the envy of the sky.” Oh that is so pretty. This is so pretty. This is also (obviously) legendary. I feel like she’s trying to write songs that sound like medieval ballads, in a new way. Also props for working “supernova” into lyrics seamlessly.
“The Coming.” Lo-fi! Hello there. It sounds like a finale.
–your fangirl heroine.