Music Monday :: on Eisley live (for the third time)

27 Mar

I feel like I should say oops about this, but I don’t mean that at all because Eisley concerts are one of my favorite places to go in the whole world and that’s official and true. It just is. I was – not worried, but curious about how the lineup change might affect the overall live vibe, but I had absolutely nothing to worry about, you guys. I miss Stacy and Chauntelle, I do, I love them both dearly, but everything is every bit as magical now as once it was.

Backwards Dancer did not open as their lead singer had lost hist voice, but Civilian played, and I got some more humorously misheard lyrics for you! (Nothing meanly meant. It’s just, hearing live music that you don’t know all the words to can be like this sometimes.)

Your hair is a sign of astringence, fallen place in the back of your ears.

Consequence of years inside the polyps of home.

Mama you raised a Californian, easy to say.

Exceeding every dream I ever had, Barb Sunday.

Some will sing a secret that I care, beauty times escaped to the balcony.

One by one we send it, sucks for you we’re trading it in.

Hair that is sparkle ’cause you did it all.

So I walked in the glen in pursuit of a lion that walked the grounds.

Please stand over the trap!

Girls are talking shit about the government.

Same @ the last lyric.

Anyway. By the time Eisley came on we managed to work ourselves to a place where, possibly, I might actually have made eye contact with Sherri a couple of times. Or not, it doesn’t really matter, but that’s where we were positioned, anyway. They started with “Louder Than a Lion” off the new album and it was here that I first observed: this music sounds a significant amount more rock and roll when it is played live. That song has a grunge techno undertone anyway, but the instruments and the lights (god the lights were so pretty, swirling and different colors and everything) and just the vibe is incredible.

Next, I believe, was “Smarter.” This was warm and familiar to me ( one track I’ve used on a mix album, the Caroline Farrell one) and I smiled and everything felt right. Was I mouthing lyrics the entire time like a big nerd? You bet. Was I ashamed of this? No.

But then came something I was not expecting, at all, and that something was “Millstone” ( two tracks I’ve used on a mix album, the Jemma one). On the album, “Millstone” was Chauntelle’s track, vocally, and as such I’d pretty much figured on never hearing it live, because Chauntelle didn’t solo much in live shows. I obviously love the song, though – so hearing it live was a big beautiful warm rush of joy. Or something sappy like that. Sherri’s voice is different than Chauntelle’s, more crystalline or what have you, and I couldn’t pick a favorite but it was lovely.

Sherri is adorable, by the way. Took various shouts from the audience very well (they were fond shouts, if sometimes odd) and quipped and occasionally swore and giggled. None of the others talked much, but they were into their playing and it was nice.

Anyway, I can’t remember the exact order of the rest of the set, but off I’m Only Dreaming they did, if I recall, “Defeatist” and “A Song for the Birds” and “You Are Mine,” so the big ones. And the rest of the set wandered through their discography very nicely varied.

“Memories” and “I Wasn’t Prepared” (Sherri invited everyone to sing along to this one, which I was thrilled about because I am the nerd who can sing all of the harmonies to every Eisley song and I felt very cool harmonizing, but also it was loud enough that nobody could probably hear me if I got pitchy) and “Lost At Sea” from Room Noises (one girl in the crowd kept asking for “Golly Sandra,” but that was not to be, and I’m fine with it because I’ve heard it before, but it is cute and I do think I know why the girl was asking).

“Many Funerals” ( three tracks I’ve used on a mix album, hipster Game of Thrones) and “Invasion” (✓ four tracks I’ve used on a mix album, the general Dollhouse one, though it occurred to me not only that this is an incredible rock song, like damn, but it could also work incredibly well for the current line of events in Agents of SHIELD) and “I Could Be There For You” ( five tracks I’ve used on a mix album, Mal/Inara, as well as being the origin for the title of my damn blog) and, I think, “If You’re Wondering” from Combinations (I still want to hear “Marsh King’s Daughter” live, for the same reason that the random was asking for “Golly Sandra,” but I’m not getting my hopes up.)

Also “Sad” and “Ambulance” ( six tracks I’ve used on a mix album, Bennett/Topher; they closed with this one and god I felt torn in half it was so beautiful) from The Valley.

And also “Drink the Water” (which is not on one of my mix albums but I still heavily associate with things, and also Sherri killed it I was so proud) and “The Night Comes” ( seven tracks I’ve used on a mix album, Jon/Ygritte, and guys, you guys, she said they were going to do it and I swear I melted, I wanted to hear it so bad last time but they played it this time and it was everything I’ve ever wanted) and “Shelter” from Currents.

Anyway, support these fairy princesses and princes they’re glorious.

–your fangirl heroine.

gay20smugness

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