Fashion Friday :: insert evil anime laugh here.

17 Nov


Vital to Esmeraude, which is old French for “emerald” by the way.

lady love

I’ve used this before but I don’t care this color is perfect. Lady Love Song Velvet Dress in Emerald, ModCloth.


Different kind of stones but at least they’re still stones. Braid Behavior Beaded Necklace, ModCloth.

button on

Not particularly fancy but a good color. Button on the Ritz Heel, ModCloth.

in no

And for our bit of pink, lipstick! Because, surprise surprise, there weren’t any fans to be had. In No Time Matte Mini Lipstick Set – Vol. 2, ModCloth.

–your fangirl heroine.



Marvel Monday :: our thoughts on Inhumans

13 Nov

So, friends, we climbed this whole Inhumans and somehow we survived.

We did this for you, you guys. Someone had to watch it so they could tell everyone else what they weren’t missing (or, possibly, what little relevant things they might be missing – spoiler, virtually nothing.)

This was a very bad show about some very bad people (and two good people and a good dog, and a couple of decent people, I guess) and full disclosure, we were drinking through most of it. That was really the only way to do it (the couple of episodes watched without at least some Mike’s were nigh unbearable). So let’s just talk about the people… because there was almost no actual plot between episodes 2-7 that couldn’t have been intuited from actions in episodes 1 and 8. Seriously.

Inhumans follows a colony of, well, Inhumans who live in a special secret city, Attilan, located under a dome that makes them invisible inside a very large crater on the moon. Why did these Inhumans live on the moon? They’d fled Earth for… some reason… after being persecuted…? A long time ago? (Whether or not they knew there were other Inhumans still present on Earth is vague. They learned, but it wasn’t really clear. Why some stayed but some went is also not clear. It couldn’t have been that all the Inhumans who were too unusual-looking to pass for human went to the moon because, uh, terrigenesis created Inhumans who looked unusual on Earth all the time [see also, Gordon, Raina, Lash] and most of the Inhumans who lived on the moon looked normal aside from their terrible fashion choices. You would think they would attempt to explain it. No, not really. You just have to press on.)

These Inhumans are ruled by a monarchy who enforces a completely horrifying caste system based on the usefulness of an individual’s post-terrigenesis gift. There’s none of that “oh, everyone is beautiful and useful” kind of stuff like (pre-antagonist) Jiaying preached to her Inhuman pals at Afterlife in SHIELD season 2. No, these fuckers make terrigenesis a public ceremony held in the throne room, after which someone’s gifts are immediately evaluated by the Genetic Counsel (!!!) and they’re assigned either to an upper-class life or working in the mines. What do they mine on the moon? We have no idea. But they mine something. Apparently without affecting the geology or atmosphere of the moon as a whole.

Those two paragraphs were about the social system instead of the individuals, but trust me, it’s important. It means that going into this world, you don’t have a lot of sympathy for the ruling class. Black Bolt (Anson Mount), the king, is king despite the fact that he murdered the previous king and queen, his parents, on accident with the use of his devastating powers: he generates terrible seismic waves and instant death when he opens his mouth. As a result, he doesn’t speak, which could have been really interesting… if they had, say, gotten an actual mute actor. Or at the very least actually used sign language for his communication. They didn’t. They made up a fake version of sign language, allegedly with a consultant, but it came off highly simplified and more often than not foolish-looking. “I can’t… use ASL because he’s not from [Earth],” Mount apparently said. Well you live on the moon but speak English, why not just use ASL too? This is not the only baffling thing about Black Bolt, though. He is inexplicably more than ten years older than his brother Maximus (Iwan Rheon) in present day despite the fact that they’re virtually indistinguishable in flashbacks. There are almost no scenes indicating any of Black Bolt’s actual capabilities to rule Attilan. There is an eleventh hour reveal that he’s been keeping massive strategy secrets from his wife Medusa (Serinda Swan) and the rest of their family… but after she confronts him once about it, everyone just shrugs and goes on their way. His much-feared gift is used exactly… twice, once in flashbacks of him killing his parents (which, by the way, we find out was after he thought they signed him up for brain surgery, which wasn’t even them, it was his jealous shitbag brother forging their signatures). Oh, and they never said it in the show – but his full name? Is Blackagar Boltagon.

His relationship with Medusa suffers from an exaggerated version of the problem that many MCU relationships suffer from: tell, not show. There is exactly one incredibly uncomfortable scene of the two of them in bed together, Medusa’s famed and prehensile long hair draped over all of their naked bits ‘cause it’s ABC, and it’s not overly sexual but it’s uncomfortable because it just looks so staged. When their Apple Watches ring and interruptus their coitus, it’s honestly a relief. Soon after they’re separated for a bunch of episodes, during which they try to find each other without actually expressing any emotional reasons to long for each other, and then they come back together and it’s just as stiff as it was before. This might be a narrative flaw – we just didn’t have any reasons for why they actually cared about each other. It was also implied that they were an arranged marriage, born out of some weird political something (Medusa’s parents were activists…? Who fought to challenge the class system…? How, we don’t know, but that’s who they were, apparently, and then they died, and somehow Medusa was betrothed to Black Bolt as a… peace offering? In the process also losing any political affinity she had with her parents, mind you – she doesn’t give a damn about the poor miners or whatever until she has to for narrative reasons). How or why this came about isn’t specified.

Medusa herself has the Inhuman gift of the aforementioned prehensile hair. It’s down to the floor and then some, it’s Halloween-store-wig orange, it clashes terribly with the shade of lavender that all of her royal outfits seem to be, and it’s incredibly useful for not only covering naked bits but also picking things up and attacking people… which is why Maximus, in his first-episode coup, has one of his lackeys shave it all off. It’s understandable that Medusa feels anxious about this sudden loss of power… but we as an audience have built up almost zero sympathy for her as a character at this point, so it kind of just seems like all of the hype was a chain-yank. Also, when they shave her head it looks disastrous, but in the next scene she’s got a perfectly-maintained buzz cut and once she’s on Earth she could pass for a perfectly normal woman with a buzz cut and it’s not a big deal? Also, hair grows back, my guy. So she spends seven episodes of the series having no powers, but just walking around getting into Wacky Situations (there’s a beat with an ATM that was funny… when it appeared in Dollhouse ten years ago) and befriending a wacky astrophysicist named Louise (Ellen Woglom) who probably falls in love with her, but gods only know why because she’s not a good person, Medusa. Louise is fine though. She’s one of the decent people. She’s just wacky and Really Adamant that people live on the moon even though her colleagues are like “that’s silly, woman” – good thing Medusa helps her Prove Them Wrong! Kind of. (Medusa doesn’t actually prove this. Medusa proves that her sister Crystal [Isabelle Cornish] has a teleporting dog, but apparently this is proof that there are people on the moon too?) Oh, and they never said it in the show – but her full name? Is Medusalith Amaquelin. (Never mind that THEY ARE ON THE DAMN MOON THERE IS NO REASON FOR THEM TO KNOW ABOUT MEDUSA AND THEREFORE HAVE GIVEN HER THAT APPROPRIATE NAME BECAUSE OF HER HAIR THAT THEY DIDN’T KNOW SHE’D TERRIGENESIS INTO HAVING AS A MAGICAL POWER – but this is a problem with the comics too, not just this disaster show.)

Medusa was also apparently friends with Black Bolt’s brother Maximus. They keep saying that, and show one tiny flashback of their younger selves approximate to each other, but who the hell knows. So many things are thrown into the air on this show but not actually explained.

Maximus, meanwhile, is an even more terrible person. This was pretty much a given considering Iwan Rheon – who my mother says is actually a very nice man and I trust her, but he’s never going to be cast as anything but a shithead ever again. He’s from an Inhuman family, but somehow his terrigenesis turned him… into a regular human…? But since he’s a royal he doesn’t have to work in the mines, he’s just constantly present at court and sulking because everyone thinks less of him for being a human (but also because he’s a bad person). He organizes a coup under the pretense of liberating the miners and overthrowing the caste system, which isn’t a bad idea, but he sends monsters after some Inhumans who traveled to Earth, then attacks his brother and sister-in-law, causing them to teleport to Earth too, then tries to blackmail his sister-in-law’s sister (I have no idea what that makes her familially), then attacks others, uses people in just as bad of a way as the caste system has used them, collaborates with an Earth scientist (in the grand tradition of shit ABC Marvel scientists, a Scot) to study Inhuman powers in a way that causes the scientist to work with murdery techniques, tries to go through terrigenesis again, and threatens to blow up the entirety of Attilan if his brother doesn’t concede to his demands. I’ve probably missed something, but rest assured. He’s a bad person. He doesn’t actually feed people to dogs, nor does he actually rape anyone, but he emotionally does the former and comes damn close to the latter. The best part about him is that his accent is a hilariously awful mishmash of every UK accent imaginable, and it’s fun to punctuate his sentences with a bad impression of him saying “I have an accent.” (When I do this it comes out mostly Scottish.) Oh, and they never said it in the show – but his full name? Is Maximus Boltagon.

And then there’s Crystal, Medusa’s little sister (so little that I originally thought Crystal was Medusa’s daughter – but no, she’s just Medusa’s surrogate daughter since their parents are dead of plot device). Crystal is one of the good people. Crystal just wants to be where the people are, wants to see, wants to see ‘em dancing, etc. There’s actually a scene in the first episode where Crystal is supposed to be at the terrigenesis ceremony and instead is off frolicking with her giant teleporting bulldog Lockjaw (he is the good dog – he is not good animation but he is a very good dog and every time he appears we cooed at him), echoing the opening of The Little Mermaid pretty directly. She also earned the nickname Crystal Swift, because she’s a teenage girl and it’s not her fault and occasionally she’s naive but she’s well-intentioned but sometimes she tries to be angry and it’s funnier than it should be even though I feel for her more than I feel for any of these other assholes. (“The old Crystal can’t come to the phone right now. Why? Because she’s DEAD!”) Crystal’s Inhuman power is essentially being the Avatar: she controls the four elements (earth, water, fire, air). Her journey through the series is learning that humans (gasp) don’t suck entirely, and exploring Earth, sort of. She also explores a generic surfer, but later when Medusa asks her about this, if she misses him or regrets leaving him, her answer is “…I guess.” She’s a good person who actually makes active efforts to help people. And as mentioned, she has the best stupid giant dog. Oh, and they never said it in the show – but her full name? Is Crystalia Amaquelin. (I realized how dumb this was, because literally terrigenesis is achieved through terrigen crystals, so her parents were the most uncreative ever… but then again, in the comics Crystal and Pietro Maximoff have a daughter who they name Luna because she [like other Inhumans, apparently] was born on the moon. So I guess that’s just a thing.)

The other good character is Gorgon (Eme Ikwuakor), who unfortunately suffers from “mythical kind gentle simple big black man” syndrome. (He’s not black in the comics, so I’m sure they thought they were being diverse… but it was a poor decision. Gorgon literally has hooves.) He’s a big sweetie and befriends a bunch of Hawaiian surfers, learning lessons about why friendship is magic… which is sure something he hadn’t learned before, because his closest relationship is with his “cousin” Karnak (Ken Leung) – they’re also allegedly cousins of the royal family, which is never explained, despite Gorgon being black, Karnak being Asian, and the other royals being outstandingly white. It’s fine, I’m all for diversity, but it’s also another plothole. Karnak is clearly in something like love with Gorgon, despite regularly sleeping with and insulting women all around Attilan and also finding a marijuana-growing nonsequitorial fuckbuddy in Hawaii, but he’s also an insufferable douchebag. He’s rude to most people, inexplicably including Gorgon who he also severely cares for, and it’s implied that this is because his Inhuman gift is essentially that he’s magical Sherlock Holmes. Like, BBC Sherlock, with the stupid imaginary mind palace shit.  He also tried to resurrect Gorgon after Gorgon’s incredibly unfortunate death (which also made minimal sense because you’d think an Inhuman capable of great feats of strength would not be killed by a heavy impact, but whatever) by putting him through a second terrigenesis, which was exactly what the royals were trying to prevent Maximus from doing to himself because it would be incredibly dangerous and not end well. Spoiler, it didn’t. Gorgon went from friendly buddy to… barely coherent rage monster, so one bad stereotype to an even worse one. But it’s not his fault.

There are countless other things about this show that are worthy of dragging. (Inhuman side characters named Bronaja, Loyolis, and Iridia! Countless holes in mythology! Way too much brutality against Inhumans, including those of color like poor Auran [Sonya Balmores], Maximus’ head soldier – she wasn’t a good person, really, but her regenerative gift made her basically cannon fodder a lot of the time and it was uncomfortable. Etc.) But all you need to know is this: there were some Inhumans on the moon. They were mostly bad. Now they all live in Hawaii because Ramsay Bolton blew up their secret space city in a hissy fit.

Let’s hope nobody but Crystal and Lockjaw ever resurface in any other properties.

–your fangirl heroines.


Fashion Friday :: sure sure.

10 Nov


Petz is the older, bitterer sister of the Dark Moon Clan. That’s fun.


Not quite the same, but it’s a vibe thing. Collared Keyhole Sleeveless Top in Spruce, ModCloth.


She’s kind of the disillusioned femme punk. Ready and Rarin’ Mini Skirt in Black, ModCloth.


This screams her. Cityscape Sophisticate Collared Cape, Collectif at ModCloth.


Definitely present. Tacit Accent Belt in Black, ModCloth.


Important, cute, and they look pretty comfy, too. Boldly Buckled Knee High Boot in Black, ModCloth.


And some very vital classics. Layer It On Tights in Black, ModCloth.

–your fangirl heroine.


Spoiler Alert Sunday :: our thoughts on Thor: Ragnarok

5 Nov

So we’ve been looking forward to this for quite a while, despite the early announcement that not a single of our beloved ladies from the first two Thor movies – not darling brilliant Jane, not spectacular sassmaster Darcy, not even fantastically badass Sif – would be present. There are reasons (not great ones, but reasons) for this, but it’s still a bummer. We love them and pray that we have not seen the last of them.

That said, Valkyrie (Tessa Thompson) and Hela (Cate Blanchett) are about the best apologies that we could possibly have been given, and Taika Watiti as a director gave a film that was in general a beautiful apology, as well as a series of amendments and fixes and clarifications and extra bursts of joy and goodness.

But this is one of those ones where spoiling would be cruel because you need to experience this joy for yourself, so here are a few things that we can say that aren’t spoilers so much as just truths.

  • Valkyrie. Valkyrie is in the comics (AKA Brunnhilde), leader of the Valkyrior, a group of warrior goddesses who choose which mortal Asgardian worshippers who have fallen in battle will be taken to Valhalla, member of multiple teams including the Fearless Defenders, and Valkyrie is a big giant bisexual. Both Thompson and Watiti have verified that they filmed a scene of a woman exiting her bedroom to confirm this, and Thompson has said she was playing Valkyrie as bisexual, but it was cut pretty late into production. Alas. It’s still been put forth into the world and it’s true and we love her. She is also kind of a disaster person who has Fallen On Hard Times. That’s all I’ll say about that from the get-go but it’s important to mention. She’s delightful. Also, she’s putting on my absolute favorite kind of British accent, very South Eastern and lovely. And she is seen riding a pegasus. That is the most glorious thing.
  • Hela. Hela is the goddess of death. She is, mythologically, Loki’s daughter… but she is not in fact Loki’s daughter in this continuity because that would be just too odd. Hela is also completely batshit bonkers, and it’s clear Blanchett is having the absolute time of her life strutting and posturing and dramatically intoning and gesturing nonsensically. I spent most of the time before this movie affectionately calling her “goth swamp witch Cate Blanchett” and I am pleased to report that that is exactly what she is. Also, speaking as someone who has wanted her to play more batshit crazy witch-types since that infamous “you should not have a Dark Lord but a QUEEEEEEEEEENNNNNNN not beautiful but terrible as the dawn treacherous as the sea STRONGER THAN THE FOUNDATIONS OF THE EEEAAAAARTTTHHHHH ALL SHALL LOVE ME AND DESPAAAAAAAIIIIIIIIRRRRRRRRR” bit in The Fellowship of the Ring, Hela is pretty much what would have happened if Galadriel had gotten ahold of the One Ring.
  • Thor (Chris Hemsworth) is himself a lovely and wonderful man. He has been a lovely and wonderful man, and an infinitely lovable protagonist, since his mid-first-movie revelations, but now that he has spent enough time on Midgard to become a backtalking memelord he is unstoppable.
  • Loki (Tom Hiddleston) is also something of a memelord. It must be interesting to be a memelord and a meme simultaneously. This is not a pro-Loki blog, but this is a blog that nonetheless appreciates Hiddleston’s performance objectively if not what fandom has made of him. Also, he gets mocked, humiliated, and thrown around in a slapstick way constantly throughout the movie, which is really delightful.
  • Bruce/Hulk (Mark Ruffalo) is mostly the latter, but manages to be an engaging character regardless. I’m very fond of Bruce, which I think not a lot of people are, but Ruffalo especially brings an earnestness and sweetness to him that previous incarnations of the character lacked (even Edward Norton in The Incredible Hulk, who I think was pretty good). The Hulk is more talkative than he has been in the previous films, having semi-complex conversations with people, while still being a giant green rage-monster. He and Valkyrie have a weird little friendship that is adorable. I understand why they’ve made the choice to sideline him and not give him his own movie, but I hope they keep letting him take second or third billing alongside other characters, because I think it makes for some really fun character beats. (Also drift partner specifically: oh my god there was a reference to Bruce/Natasha and I almost lost it right there in the middle of the theater how could they do this to me MY HEART GOODBYE)
  • This is a movie that is very clearly the product of Australian and New Zealander creators and performers. Not everyone is, obviously, and some of them are pretending to be not-British or some such, but it’s still very nice.
  • Oh, and Heimdall (Idris Elba) is a joy always.

–your fangirl heroines.


Music Monday :: my thoughts on Keepsake

23 Oct

Hello, Elizabeth and the Catapult! Give me everything please.

“We Can Pretend.” Starting with “queens of the underworld” is starting it right. Can I even put into words how much I’ve missed the experience of finding new Elizabeth music? I really don’t think I can. It’s a magical experience. Also, this is one of those songs that treads the line between romanticizing innocence and knowing it’s, yes, a “little lost thing.”

“Underwater.” I could go swimming in Elizabeth Ziman’s voice. I’m not just saying that because of the water motif, I mean it. It’s so lush. Oh this song got kinda groovy. There’s just spirit to her stuff, that’s all there is to it. Smooth life-giving spirit. I feel more alive already. (Is that dumb? Oh well.)

“Something More.” Jazzy ambiguity. That’s smoldering and I like it. There’s also something just seductive about Elizabeth’s voice, but I don’t necessarily mean in a sexual way? It just draws you in and like, wins you to its cause. And then she does that thing where her voice sort of intentionally breaks on longer notes and I just do mental backflips because it’s so delightful. “You can be my very last man” oh really? Really.

“Ambrosia.” Oh, more nostalgia with adulthood tinging the sentiments. Delicious! Things that are done here would sound all too twee somewhere else, but the sweet worldliness of Elizabeth Ziman’s voice and the lyrical complexity balances that out and makes a beautiful amalgamation.

“Magic Chaser.” Well if there isn’t something almost Amelie-esque to this. I like how this woman manages to be a magic chaser and an ocean drifter. She’s clearly an exceptional woman. God I love when she makes melodies that sound almost minor in parts over decidedly major instrumentation.

“Mea Culpa.” My god but it is obvious (in the best way) that this is a woman who knows not just classical music but classical literature. She makes music that’s smart. Plus it sounds like it would be fun to play, if I wasn’t so bloody out of practice. It’s theatrical, too! This is a lot of my favorite things. “Everything Else” from Next to Normal. That’s what.

“Method Acting.” And this almost has tones of the early 1970s. More of that groovyishness, but not in an overdone stupid way. This belongs in a coming-of-age film where the protagonist wears big square glasses and learns lessons about staying true to yourself but also some obscure academic subject.

“Better Days.” Ohhh. And a bit of Southern Gothic, I think? Or not by itself but it would belong on that kind of soundtrack. Sweet Willa Burrell, this is for her. This is the music that plays as she gets on a plane that flies her out of Louisiana and into the next big adventure of her afterlife. “I don’t have to live up to the legends in my past” Oh yes. “If I smile, if I smile the best I can” honey!! “Try to take it all like a woman twice my age” oh no. Poor misused little baby.

“Less Than You Think.” How swinging! It sounds a little like the background was sped up. Oh my god this is the soundtrack to a beach movie from the 50s or 60s, but more self-aware, but not in the Teen Beach way because that’s only as self-aware as Disney could allow. This knows exactly what it’s about. (Sidenote: I have never told you guys how much I actually really love Teen Beach Movie and its sequel. It’s beautiful gay nonsense.)

“Tread Carefully.” This is just… chocolate. This is kids’ temp (thanks, cos, and for the uninitiated kids’ temp is what you say to Starbucks people to make them make your cocoa not quite as hot so you don’t have to wait ten minutes for it to cool before you drink it, which I share to save a life because that is my favorite cheat) hot chocolate sipped slowly as an after-work pick-me-up.

“Land of Lost Things.” I’m sinking into this one. It’s melancholy and lovely and I can’t wait until I know all of its secrets.

“Wishing Well.” Strums! “Laughing and teasing till I can’t help believing” this is so sweet. Elizabeth Ziman please follow in Sara Bareilles’ footsteps and write a musical I don’t care of what but I just want it.

–your fangirl heroine.


Fashion Friday :: skulls.

20 Oct


No, really. That’s the Spanish translation of the word “Calaveras” which is the original name of the Ayakashi Sister I grew up knowing as Avery. Honestly I don’t know why they named her Avery because Avery derives from names meaning either “elf counsel” or “elf power” and like, elves have skulls but that isn’t really relevant. It has a lot of the same letters, maybe? I don’t know.

Reader, I am drink. The television show Inhumans is so bad.

get what

So this is… not a metal corset, but it’s fine. Get What Uke Deserve Top in Sunflower, ModCloth.

you sassy

This feels right! You Sassy Thing Skater Skirt in Maroon, ModCloth.

old fashioned

SURE. Old Fashioned Fab Heel, BAIT Footwear at ModCloth.


It’s a knitwear theme, or something. Hairdo The Twist Headband, ModCloth.

–your fangirl heroine.


Spoiler Alert Sunday :: our thoughts on Professor Marston and the Wonder Women

15 Oct

So I will begin by saying: gosh, we enjoyed this movie. I mean, that should be kind of a gimme, considering it’s about the bisexual triad responsible for creating and inspiring Wonder Woman, who is a wonderful and kickass character and a feminist inspiration. But I went in expecting to go “oh, that was really good,” not necessarily to feel as many things as I did.

Here’s the thing. A lot of what I felt was deeply personal, and not necessarily the sort of personal I want to or can find words to describe in detail. There was a quiet beauty to this story and its telling, though, that I can explain.

Let’s start with Rebecca Hall, portraying scholar of psychiatry, wife, and muse Elizabeth Marston. I have always been very fond of Rebecca Hall but this performance was poignant and sometimes painful but thrilling. (I’m not great at award predictions, and I doubt this will garner the proper attention to secure her any nominations, but I’d be very much supportive of it if it did come to pass by some miracle.) She was this fascinating balance of caring and heartsick and abrasive and vulnerable and angry and just so many things, and it’s not just the “true story” aspect of things that made this character seem very real, real in a way a lot of female characters don’t. It was a thoughtful portrayal that was full of nuance and flaw and dimensions. Also, she’s gorgeous and incredibly electric to watch.

Bella Heathcote, as the student who became the Marstons’ lover and mother of two of the triad’s children Olive Byrne, was decidedly more openly caring and vulnerable most of the time and yet perhaps the figure with the most ultimate power in the situation. She naturally has a sort of unusual porcelain doll quality to her, which worked to her advantage here for certain (one of the first scenes is the Marstons discussing the psychological advantages or burdens of Olive’s physical beauty, which was itself fascinating). But she was also so, so good at the moments where more steel was required of her.

Luke Evans was the titular Professor (William Moulton) Marston, and quite good as well. I haven’t seen him in many things, but what I have seen has been… well, a Fast and Furious film or something, so I wasn’t really sure what to expect from him. It was interesting to watch a movie in which he was the protagonist, technically, and the guiding figure of the story, but he as a character was quick to ascribe more importance to the two women in his life and he as an actor was quick to let the two actresses take the spotlight much more often as it suited. He was a framing device sometimes more than a character, but he was also, I must say, a very good ally. The construction of the story (scenes from the trio’s lives intertwined with an interrogation by, essentially, the old-timey morals police) provided him ample time to elaborate on his psychological theory and the motivation behind his creation and handling of Wonder Woman as a character.

But honestly, there’s a lot that can really only be experienced for yourself. It’s possible that it’ll hit some of y’all differently than it hit us, because not everyone is us (and let’s not mince words, I’m sure being Sapphic women made it hit us more strongly than it might hit others), but it’s small and beautiful and wholly worth it.

–your fangirl heroine.