Tag Archives: peter dinklage

Television Tuesday :: and now our watch(ing) has ended, part 2.

9 Jul

I’m late with this. I know that. But in my small defense, I’ve been waiting for my thought sto settle, trying to figure out what to take on, how to frame it, how to work up the energy to go through it, and gods, has that been hard.

Remember True Blood? If you’ve been here or ever spoken to me, you’ll remember how easily the end of that series still sets me off. None of the characters, or at least the ones I gave a shit about, had satisfactory endings. Everyone was only in-character when it suited the moronic plot and the rest of the time they were blithering idiots and/or jerks. Characters that were objectively bad people (Bill, Tara’s mother) got redeemed and characters who deserved better (Tara, Nora, the Bellefleur girls) got murdered and forgotten for no reason. What had been the queerest show I’d ever seen devolved hard into compulsory heterosexuality. I thought I’d never be that disappointed in a show again.

Go ahead and laugh. I know I brought this on myself.

Game of Thrones managed to do all of this but worse, except the queer part because when you only have one canon queer (of a whopping five) left standing there’s not much more to mess up. I’m legitimately ashamed to have gotten so many people into this show because I should have seen this coming. I should have seen that this wasn’t going to be some great tiumph for me and mine in the end. I shouldn’t have let myself hope against hope that this expansive fantasy world might actually belong to someone who’s got disabilities or isn’t heterosexual or isn’t well-off or isn’t white or isn’t cisgender or isn’t a man. Or at least that it wouldn’t betray everyone in those categories.

Let’s look at it by the numbers.

The big characters with physical disabilities didn’t all do horribly, probably because all three (Jaime [Nikolaj Coster-Waldau], Tyrion [Peter Dinklage], Bran [Isaac Hempstead-Wright]) are otherwise lucky. Jaime’s storyline devolved into a giant mess and resulted in countless bitterly hilarious awkward interviews. I’ve never given a damn about Jaime except for when Brienne (Gwendoline Christie) does (and even then only somewhat) but this was objectively insulting. I actually loved the scene where he knighted Brienne and I would much rather have had that be the end of them. Then Jaime would ride off with the explicit statetd intention of killing Cersei and die tragically and Brienne would go about her life. (More about this later.)

Tyrion did okay, I guess, from what I can tell (remember, the last three episodes are all word-of-mouth to me because I didn’t torture myself like that). I mean, aside from being a wishy-washy, disloyal, unattractively self-serving dum-dum.

And Bran is (somehow) the king! The king of Westeros is a paralyzed trauma victim and occultist, and a character I personally have long considered my weird son. Great! Except… no, not really. For one, Bran neither wanted to rule nor knows how. When he was the sitting Lord of Winterfell, lords attendant did all the real work, and after that he spent years on an extended camping trip. He’s wise, but not particularly compassionate. He’s also, when you get down to it, a one-boy Big Brother: if he so chose, he could use all his superpowers to surveil Westeros into a fascist state. He’s very likely to be used somewhat puppetlike by lords and his council. And what’s even the point of acknowledging the North as a sovereign kingdom if the Queen in the North and the King in the South are blood siblings with virtually identical (presumed) agendas?

Yara (Gemma Whelan) is, as mentioned, the only queer left standing, and she’s been a plot device since the end of season six. I assume she’s alright, but mostly in that figureheady way that the butch white girls are to prove that B&W don’t hate women. (They do, and this doesn’t disprove that, which we’ll also get into later.) Ellaria (Indira Varma) is dead (and had her character assassinated on top of it), Oberyn (Pedro Pascal) and Renly (Gethin Anthony) are long-dead per the books, Loras (Finn Jones) was peak Sad Gay and is dead too. They didn’t bother to show-canonize Nymeria (Jessica Henwick) as bi even though she is. Lots of characters should have been queer, and not just because it’s me talking and I want to queer everyone. Etcetera. Maybe the one gay male sex worker of relevance, Olyvar, made it out okay, but it’s not likely. Whee!

Speaking of sex workers, guess how many of them made it out? Not Doreah (Roxanne McKee). Not Ros (Esme Bianco). Not Shae (Sibel Kekilli). Not anyone else we know. That’s cool and fun.

I guess it’s neat that Gendry (Joe Dempsie) is the Lord of Storm’s End now. +1 upward mobility. And Gilly (Hannah Murray), well, we’ll get to that soon. Not everyone less-than-noble totally sunk into misery. Cool.

Brown people, however… well, here’s a depressing fact. Grey Worm (Jacob Anderson) is the only surviving POC character. This is where I start feeling really bad. I’m still kicking myself for putting my wife anywhere near this show, but particularly regarding the Sand Snakes’ deaths and backlash; I feel like a gullible idiot for thinking they couldn’t possibly kill Missandei (Nathalie Emmanuel) after that. They wouldn’t possibly be that stupid. Even if they’re racists and misogynists, they wouldn’t want to show their asses like that. Well, they showed them, and I hate them for it, and I hate that I hoped they wouldn’t. There is not a single character we met from Dorne who made it to the end of the series; the vast majority of Dothraki have been killed one way or another. B&W are not looking great, but at least the fandom wasn’t shit about Missandei like they were about Dorne.

As far as we know, everyone is cis, so nevermind that category. (They could have just had Sarella/Alleras Sand and then we’d have a not-cis person, but Sarella/Alleras is Dornish so they’d be dead too, so never mind.)

And now, the women. As mentioned, Arya (Maisie Williams), Brienne (Gwendoline Christie), and Yara have butch immunity. Brienne did also suffer the double-whammy of being last seen pining and having to sacrifice personal comforts to achieve her dreams. They weren’t going to fuck up Arya, though, so that’s something. The other women officially left standing are Gilly (who is in crassest terms a breeder and a belonging of Sam’s [John Bradley West] and therefore safe) and Sansa (Sophie Turner). And of course I’m happy with Sansa being the Queen in the North, but I’m really not happy with what all led to it. It was always kind of my read that the point of Sansa was quiet strength, “have courage be kind,” being smarter than everyone and surviving but still also managing to hold a tiny bit of hope and the like in her heart. Definitely not becoming what hurt her. The later seasons made Sansa skeptical and cold, judgmental and reactionary, full of internalized misogyny (presenting as abject girlhate) and, honestly, racism. She basically became a Republican. What really got me was her discussion of being a rape victim, because whether or not they intended it, that made it seem like she was almost glad to have been raped so she could be stronger, and on a meta level that suggests that she was allowed to succeed because she accepted what the patriarchy did to harm her (unlike, well, a lot of the female characters who didn’t make it).

On that note, we only needed one mad queen, and it was Cersei (Lena Headey. One mad queen is a compelling villain. Another popping up to fill her void is misogyny. Cersei’s madness was well-established and longlasting, product of trauma and conscious action both. Dany (Emilia Clarke) went mad as a plot twist that was also designed to gaslight thousands of people or posisbly teach you never to trust anyone. They took a character who’d been abused, underestimated, betrayed, basically tortured, who’d lost almost everyone she’d ever cared about, and right up through 8.03 she was still trying to help others and change the world. She was presented in a way that suggested that she didn’t have to be physically combative or butch to be strong (not that those things are bad, but some of us aren’t that). They portrayed her as a hero for years and then abruptly said no, just kidding, your genetics are a bitch and you’ll never be more than your mental illness, which by the way makes you homicidal, deranged, and in need of being put down.

I, a person with mental illness albeit a different one than Dany’s, find this atrocious. (The psych minor in me suspects Dany is bipolar amongst other things, but that’s another story.) I, a person who used a wheelchair even only for a few months, am also appalled by “Bran the Broken” but that’s also another story. Cersei was a bad person who made active choices to do bad things when she could have done better ones and knew that. Dany did (some debatable things usually in the name of good but largely) good things right up until they decided to flip her switch. Cersei deserved to get stabbed by her lover (or if not Jaime, Arya) for her crimes, not crushed by a building. Dany deserved, if not to be a living hero, then to die as one.

Basically, what I’m saying is that if B&W’s message was “nothing will ever change, so accept the white supremacist patriarchy and give up,” they did a good job. Otherwise, and even still, yikes.

–your fangirl heroine.

 

Television Tuesday :: 2014 in television (some missed opportunities and some positive things)

30 Dec

Missed opportunities

Jessica (Deborah Ann Woll) and Adilyn (Bailey Noble)
Because while I was mad at gorram True Blood from the get-go thanks to the Tara (Rutina Wesley) situation that I’ve already discussed at length, the first episode at least did have one situation with promise, the one with Jessica and Adilyn.  While I still hate what happened to the other Bellefleur girls (I think I care about the auxiliary Bellefleur girls more than everyone else in fandom combined, and I’ve come to terms with this fact, but but aren’t they a missed opportunity too wouldn’t you watch the shit out of a show about baby fairies who embody tumblr and look at the world through fresh eyes and therefore are optimistic about most things while also not understanding manners 100% of the time and I’ve spent too much time thinking about this I’m so sorry) I hate more that this situation was never really resolved.  Jessica felt guilty and swore to protect Adilyn, then after Adilyn was drawn into the actual most horrible kidnap scene they… didn’t say anything to each other ever again.  Adilyn didn’t even attend Jessica’s bullshit wedding, despite the fact that it was in the daytime and Adilyn’s father was presiding over it.  What could have been an interesting, complicated friendship (with undertones?) was basically a plot device that was thrown to the side in favor of both girls getting shoehorned into unnecessary heterosexual romantic relationships that consumed their entire characters.

the entirety of Sons of Anarchy, tbh
Sons was never my favorite show, but it didn’t used to annoy me as much as it did by its final season.  And maybe some of that was just that I was blindingly mad about the Tara (Maggie Siff) situation, or that I got increasingly frustrated that I couldn’t play “how is it Hamlet” nearly as well, or maybe it was just that when every episode is two hours long it stops meaning anything that they’re that long, or maybe I don’t know anymore, but it just felt so unnecessarily drawn out.  Also increasingly sentimentalist and with an increasingly laughable score.  “I think Sons might have been better served as a three season show,” I mused, causing one of my people to berate me for questioning the creator’s artistic vision, but it stands.

all of these dead people
All of them.  Even the ones on shows I don’t technically watch.  Special shoutout to Amber Mills (Natalie Hall), who for some reason I am also really bitter about, because I mean, Sarah Newlin’s black sheep-y vampire sister could have been such an interesting storyline and… nothing.  Also, obviously, Isabelle (Lucy Lawless).  Poor thing.

the damn Orson’s beetles scene
You know.  The one before Tyrion’s (Peter Dinklage) trial where he talks to his brother Jaime (Nicolaj Coster-Waldau) about his cousin Orson smashing beetles.  And it lasts for something like four minutes and it does absolutely nothing to further the plot in my read.  This has actually become a thing with my mom and I: pointless scenes happen in media and we turn to each other and say “Orson’s beetles.”  It’s a code.  And anyway it’s a missed opportunity because that scene is, uh, not about Orson’s beetles in the books, it’s about something important that they just sort of ignored in the show and I’m not sure how that’s going to play out in the future and that scares me.

Positive things

sometimes SHIELD and ladies
It’s had its failures and its questionable moments as regard ladies (see also the above dead people collage) but when it gets things right, it really gets things right.  Jemma (Elizabeth Henstridge) saving everyone else and herself with her porcelain-ivory-steel-skinned resolve and her scientific knowhow?  Melinda (Ming-Na Wen) kicking all of the ass (hey remember that time she made a joke about how she was always on top when she and Ward [Brett Dalton] banged while beating his ass I do) and also being an important supportive figure to the entire team but especially Skye (Chloe Bennet)?  Skye growing from awestruck mouthy hacker baby to capable snarky take-no-shit agent to honest to gods superhero?  Raina (Ruth Negga) who was originally supposed to be a one-off character becoming this compelling-as-hell not quite villainous queen of moral gray areas and wide-eyed faith?  Thank you, guys.

the following Game of Thrones things

  • Oberyn (Pedro Pascal) taking time out of his busy bisexual orgy schedule to explain bisexuality (and his bisexuality specifically) to Olyvar the boywhore (Will Tudor).
  • Varys (Conleth Hill) taking time out of his busy confusing scheming schedule to explain his asexuality to Oberyn.
  • Oberyn in general.  Pretty much all of his stuff was perfect.
  • Ygritte’s (Rose Leslie) death scene.  I mean, I know that scene in the book inside and out, so there were lines I missed (why, why, why did they go to the trouble of including the “is that a castle?” “no, it’s a windmill” part in season three if they didn’t have Ygritte asking Jon [Kit Harington] “is this a castle?” while she was dying in his arms) but overall it was well handled and I wasn’t disappointed.
  • Missandei (Nathalie Emmanuel) and Grey Worm (Jacob Anderson) and their out-of-nowhere crush thing.  Normally it would annoy me if they wrote crushes in that weren’t book canon, especially because in the books Missandei is a ten-year-old, but this was handled tactfully and sweetly and also, if by default, is an asexual romance!
  • The rest of this list.

–your fangirl heroine.

taking no shit today thank you

Television Tuesday :: it’s that time again!

8 Apr

I am overall content with the season four premiere of Game of Thrones.  Nothing egregiously confusing happened, and so far everything is still in a place where it could sort of wind up in more or less the place it needs to be?  Ish?  It’s hard because there are three sides of me at play: the person genuinely going “this is a well-made television program and the actors and technical crew do a nice job,” the social analyst going “okay I have to pay attention to what elements of this are problematic,” and the book fan going “time to notice every single thing that is different.”  So here is a list of things that I am content with in specific.

6.  Jon (Kit Harington) and his wildling accent
Did you notice that?  He killed with wildlings, ate with wildlings, traveled with wildings, lay with a wildling girl, and now he’s dropping his g’s like a wildling.  Linguistics!

5.  Oberyn (Pedro Pascal) and Ellaria (Indira Varma) being clearly bisexual
The book does mention their regular group sex endeavors, but I had been absolutely terrified that these were going to turn into “Oberyn bangs multiple people, one of whom is Ellaria” instead of “Oberyn and Ellaria bang multiple people.”  And when they went to Littlefinger’s brothel for said group sex endeavor, Ellaria kissed the girl and Oberyn was making advances on the boy.  (“So he’s gay and she’s a lesbian?” one of my friends asked.  “No!  Rampant bisexuality!” I shrieked gleefully.)  And said rampant bisexuality was then proved when Oberyn and Ellaria made out with each other a few seconds later.  Oberyn and Ellaria being bisexual is very important to me and so I’m glad that we got at least a glimpse of it (even though that girl prostitute probably didn’t need to be totally naked but still).

4.  The scene with Sansa (Sophie Turner) and Tyrion (Peter Dinklage)
The first trailer that showed Sansa upset and talking to Tyrion, saying that she lies awake thinking of what happened to her mother and Robb, made me very nervous.  Why, I wondered, would Sansa be confessing her feelings to Tyrion, except for the thing of how the television show likes to make Tyrion nicer than he is.  (I don’t dislike Tyrion, I think he’s very interesting, but the show has multiple times made him nicer or done things to make him seem better at the narrative expense of other characters, namely Sansa.)  “The only way this would be okay,” I said to my mother after we had watched this particular trailer three times in a row, “is if once she’s done saying that, she gets up and walks away, leaving him there.”  And, wouldn’t you know it?  That actually is what happened.  Sansa expressed her reasons for being upset and then left (“I don’t pray anymore.  [The Godswood is] the only place I can go where people don’t talk to me”).  And that was at least the best option at that point.

3.  Scenes with ladies.
Namely, ones that did not appear in the books specifically.  Dany (Emilia Clarke) asking Missandei (Nathalie Emmanuel) about Meereen (tangent not pertaining to just-ladies: was Daario implying that Grey Worm had a crush on Missandei??  I… think he was?  I am not going to say what I think the ideal outcome for this would be, because then it won’t happen).  Margaery (Natalie Dormer) both with Olenna (Diana Rigg) and Brienne (Gwendoline Christie).  Ygritte (Rose Leslie) and… well, Tormund (Kristofer Hivju), who is a dude, but still.  I am perfectly okay with the addition of scenes like this.

2.  Cersei (Lena Headey) and Jaime (Nicolaj Coster-Waldau)
Just… in general.  A+ jobs guys I was good with it.

1.  All!  The!  Exposition!
And backstory and what have you.  Oberyn talking to Tyrion about what happened in the past with Elia (as pertained to Rhaegar, as pertained to Gregor Clegane, as a catalyst for his vengeance-seeking, etcetra).  Joffrey (Jack Gleeson) reading from the book about the Kingsguard, mentioning things that hadn’t really been mentioned before but are good to know.  Lots of conversations here and there that pertained to either things that happened pre-show or previously in the show, making motivations and history quite clear.  That was so welcome and good.

–your fangirl heroine.

nergirl awe

Spoiler Alert Saturday :: my thoughts on Knights of Badassdom

15 Feb

I have been waiting for this movie for a while now, and… well, I finally had an opportunity to see it (a one night only screening in my town, which was at least to its credit sold out) and, all right.

When I first started hearing about it back in the day, I wasn’t really thinking about things in the same way I am now, so yeah, I found things in this movie I could have done without (in this way, it was an accurate representation of “nerd culture,” yes):

  • yeah, it would have been nice if there were more characters who were not white dudes.  Case in point, the following.
    Pro: I don’t recall them mentioning Danny Pudi’s character Lando’s ethnicity in the script, which is on one hand nice because at least a deal was not made of it.
    Con: Lando was one of the first to die.
    Pro: Summer Glau’s character Gwen was one of the survivors.
    Pro: she was not fridged.
    Con: she stayed alive to have a romantic potential with Ryan Kwanten’s character Joe.
    Con: the fact that Gwen was in fact a woman was mentioned on multiple separate occasions.
    Etcetera.
  • regarding the instance of bisexuality.
    Pro: the line that was basically “yeah, as long as you’re having fun, it’s okay, but the second I get into it it becomes unacceptable” regarding the (Asian) girl, Andie (Khanh Doan) and her boyfriend’s offscreen threesome with another girl.
    Pro: bisexual Asian girl.
    Con: immediate makeouts with the demon in Margarita Levieva’s body (used presumably as les-yay).
    Con: immediate makeouts leading to dead bisexual girl.
  • regarding Summer Glau’s character in general.
    Pro: had a sense of humor (turned Steve Zahn’s Eric’s assessment of her ass right around into banter, for example) and kicked ass.
    Con: got her ass assessed (the once literally, other times via camera pans and whatnot).
    Pro: also turned Joe’s “it’s good of you to support your boyfriend’s interests” around on its ear and seemed to genuinely enjoy LARPing.
    Con: did so because Gunther (Brett Gipson) was her cousin and was snarky about the “nerdier” aspects of LARPing a couple of times, possibly just in a self-deprecating way but still unnecessarily.

And overall etcetera.

But cons aside, it was an amusing movie, and it was pretty much what I expected.  And it was just nice to see so many people from so many things I like all in one place (by virtue of the fact that W. Earl Brown was there, it even hit the Deadwood mafia quota).  It looked like it would have been a fun movie to film.  And it was nice knowing that as many people as turned out for it did.

–your fangirl heroine.

judging the fuck out of everyone in this room

Television Tuesday :: additional rules for the Game of Thrones drinking game

21 May

Original rules found here.

Creating drinking games for ongoing things is fun: there’s always the possibility for more rules.  Of course, not all of these need to be used (considering how many rules there are going to be for this one, it’s pretty much necessary to pick your poison), though there’s also the possibility that each rule will only get hit on once or twice an episode, so really, it’s your call.  And obviously there are components that are specific to certain seasons/plotlines/episodes, but that’s another reason it’s so variable.

One drink when:

  • More repeated phrases.
    “You know nothing, Jon Snow.”
    “It is known.”
    Variants on Dany’s (Emilia Clarke) “I am only a young girl” speech.
    Etcetera.  I’m sure there are ones I’m blanking on at the moment.
  • One character is writing or speaking in High Valyrian and another character inquires about it or observes that yes, in fact that is High Valyrian.
  • One character makes a personal promise to another.  This does not include things like promising to harm opponents of some stripe or political promises or general promises to a group, but rather specific promises of a personal nature.  These are noted because of their frequent tragic lack of follow-through.  Including, but not limited to:
    Ned (Sean Bean) promising to tell Jon (Kit Harington) about his mom the next time they see each other.
    (Or Benjen [Joseph Mawle] promising to have a talk with Jon when he returns from beyond the Wall.)
    Really anything that Drogo (Jason Momoa) says to Dany about their child.
    Margaery (Natalie Dormer) and Sansa (Sophie Turner) and Loras (Finn Jones) planning the Sansa/Loras wedding that wasn’t to be, really any of that can count.
    Robb (Richard Madden) promising Talisa (Oona Chaplin) that he’ll go to Volantis with her.
  • Really, it’s not just Cersei (Lena Headey) you can have a drink-along with.  Anyone is fair game, though Olenna (Diana Rigg) and Tyrion (Peter Dinklage) are also excellent candidates.

Competitive drinking categories (wherein each participant chooses certain characters/pairings that can count for a category and you see who gets hamsters fastest):

  • For characters: snark faces.  These can range anywhere from “you’ve got to be kidding” to “really?” to “bitch, please” to “oh, I am going to end you” to “ha ha, NOPE” to “I can’t believe words are still coming out of your mouth.”  And while really any character will make such a face at times, may I suggest particularly Cersei, Olenna, Ygritte (Rose Leslie), Shae (Sibel Kekilli), Arya (Maisie Williams), and Dany and any of the women who have been in her entourage (Irri [Amrita Acharia], Doreah [Roxanne McKee], Missandei [Nathalie Emmanuel]).  Actually… just of all the women.  Some of the dudes, too, but all of the women.
  • For pairings: longing gazes and/or subtext.  Considering how varyingly textual… well, most Game of Thrones pairings of choice are, and how many of the potential relationships that are expressed by paragraphs of musing and narration in the books are expressed by, well, gazes that are longing and/or flirtations and/or imploring and/or something else between either party, this is pretty easy.  (Even 100% textual couples do this sometimes, actually.)  As of the current season, Jaime (Nicolaj Coster-Waldau) and Brienne (Gwendoline Christie) are the most obvious choice, though my lady-tinted glasses also suggest that Margaery and Sansa could work.  Also, these only count if they are mutual.  One character’s unreturned longing gazes at another are not part of this.

–your fangirl heroine.

jeepers

Fictional Friday :: 6 ruling bodies that have made me wary of fictional ruling bodies as a whole

22 Feb

I am not, as I have said before, an inherently political person.  I have opinions, but there are only certain debates I feel comfortable getting into.  But I have learned, maybe this is just the nature of the fiction I partake of, to be exceptionally suspicious of the ruling bodies therein, especially the ones who say that they are doing things for the good of their citizens.  They might think they are, even, but I tend toward skepticism nonetheless, because it almost never ends well.

6. The s2-current and recent past political crowd of King’s Landing (Game of Thrones and also the books)
Because I don’t think anyone’s pretending that Robert (Mark Addy) was exactly aces as a king, and Joffrey (Jack Gleeson) is so very much not a good king.  And while the others are interesting, and some of them like Tyrion (Peter Dinklage) actually know what they’re doing sort of, and some of them like Cersei (Lena Headey) are cool in an antagonist way, and some of them like Ned (Sean Bean) had good intentions, it’s a mess.  Political crowd: actual rulers, those on the council, others.  Also, I am inherently suspicious of any group of thinkers that Baelish (Aidan Gillen) is a part of, because he is interesting and maybe reading more will change my opinion, but right now he just makes me uncomfortable.

5. The Watcher’s Council (Buffy the Vampire Slayer)
There’s a reason, after all, that Buffy (Sarah Michelle Gellar) disowned them.  I like to imagine a nicer world where the Council could be this cool thing where people who aren’t Slayers but are dedicated to fighting supernatural evil an really like books and whatnot could band together to help Slayers do their thing, but that isn’t the way of it in canon.  The Council is controlling and generally not with the times, these or any other; they’re more concerned with the superficial acceptability of circumstances than the reality of what the Slayers do, and that’s not helpful.

4. The Authority (True Blood)
I think I’ve made this point plenty of times, no?  Even before season 5, when all we really knew of them was Nan Flanagan (Jessica Tuck) and a group of vampires sitting before a screen with their backs to us, the Authority seemed ominous.  The sitting before a screen thing is actually not unlike the SHIELD board in The Avengers (they are not on this list because I don’t know enough about them to discuss them beyond this mention, but I’m sure they very well could be did I know more) and tends to be a good visual representation of, again, those who are Not With The Times.  They’re detached from the reality of their constituents.  And as season 5 teaches, yep, the Authority is very much that.  Nora (Lucy Griffiths) says as much, and while she probably was being snarky because of her at-that-point secret Lilith thing, it was an apt observation.  Roman (Christopher Meloni) was so focused on an ideal that he wasn’t 100% dealing with what was actually being done, and then it all went to Lilith hell and they were all wonky because of that.  So, kind of a lose-lose.

3. Rossum (Dollhouse)
I should also clarify something: Rossum, like Angel‘s Wolfram and Hart, is a company.  Yes.  Rossum is on this list and Wolfram and Hart isn’t because (I still don’t know all of the ways that Wolfram and Hart is heinous yet and) Rossum canonically infiltrates the government, i.e. their world’s technical ruling body.  And then they start an apocalypse and preside over that.  Starting a full-blown apocalypse so you have a sad little hill (or, you know, whole world) to be the sad little king of is one of the lowest possible things you can do.  And that’s what it basically comes down to with them.

2. The Ministry of Magic (Harry Potter)
The distrust of the Ministry is established pretty early overall, and it just gets worse and worse.  These guys are easily corruptible, they’re highly fallible, they’re highly shallow, and eventually, they get pretty malicious.  It’s a fairly convoluted issue, the Ministry (or rather the British Ministry; other countries have Ministries of Magic too, but they don’t get much discussed), so if you want, here’s the wiki page.  Half of the items on this list are Whedonverse, because there is an innate distrust of ruling groups in Whedonverse mythologies, but I think it’s interesting that overall, this distrust spans a reasonable range of fantasy/sci-fi subgenres.  Fake medieval times, technology issues, vampire issues (on both sides), magic issues, future governments.  Network TV, epic series novels, cable TV, novels for adults and novels that at least started as being for children.  It’s found in many places.

1. The Alliance (Firefly/Serenity)
These guys get to be number one because they hit every single reason that other items are on this list.  They’re an evil government, they meddle, they directly and adversely affect the lives of characters, they are the sole overarching antagonist of their canon, they have many sub-contracting evildoers involved, they don’t start an apocalypse per se but they are responsible for the creation of evil space zombies, they do start a war.  They are the essential questionable ruling body.

–your fangirl heroine.

crying times

Television Tuesday :: the Game of Thrones drinking game

9 Oct

So, like always: this is meant with love, and it’s pick your poison (how strong of liquor, sips or shots, how many of the criteria you want to follow), and depending on what poison you pick, it could probably get you way to hamsters.  Some are more slanted toward season one, others to season two, but still.

One drink when:

  • House words.  You get “winter is coming” the most, and some of the house words aren’t really uttered much at all, but any are fair game.
  • Other repeated phrases, including but not limited to:
    “A Lannister always pays his debts.”
    “The night is dark and full of terrors.”
    “There must always be a Stark in Winterfell.”
    Any part of the Night’s Watch creed.
    Hell, if you were really feeling adventurous, you could even toss in Dothraki endearments, “blood of my blood” and “my sun and stars” and “moon of my life” and whatnot.
  • Joffrey (Jack Gleeson) gets slapped or reprimanded.  Because it’s so satisfying.
  • Someone, probably a dude, is called on their gō se, probably by a lady.  (Tyrion [Peter Dinklage] called on his by Shae [Sibel Kekilli].  Jon Snow [Kit Harington] called on his by Ygritte [Rose Leslie].  Jaqen [Tom Wlaschiha] called on his by Arya [Maisie Williams].  This one, being rather a matter of opinion, should require specific definition before beginning the game.)
  • Cersei (Lena Headey) drinks.  Literally match her drink for drink, or “whoops, Cersei drinking scene, all in,” or whatever variation suits your fancy.
  • Dragons.  Also requiring of definition; drink for seeing the little guys, for mentioning them, for whatever suits you.  I personally drink whenever dragons, period.  But that’s just me.

Two drinks when:

  • You just want to take someone home and bake them cookies, period.  This is a reaction I have to a lot of the characters at any given time, and since they are fictional and I can’t, I healthily sublimate my urges.
  • Any variety of Dany’s (Emilia Clarke) speech of assertive glory.
    “I am Daenerys Stormborn of House Targaryen, Mother of Dragons and/or the blood of old Valyria and/or a khaleesi of the Dothraki, and I will take the Iron Throne and/or what is mine (by rights) with fire and blood, and/or those who help us will be paid three times over, and/or those who cross us will be made to suffer,” etcetera.

Just drink as much as you want when:

  • Your heart breaks.  Subjective as well, but still.

–your fangirl heroine.

Superlative Sunday :: the 2012 Golden Globes and how I feel about them

15 Jan

By show/movie, to simplify.  With things that only got one win, but that I haven’t seen, listed at the end; things I haven’t seen, but got more than one win, I’ll usually have something to say regarding.

The Descendants (Motion Picture, Drama; Actor in a Motion Picture, Drama [George Clooney])
I… haven’t seen this.  I keep telling myself that I’m going to, but then I decide that I’m not in the mood for a serious movie about an inspirational for-all-intents-and-purposes-single-at-the-moment-as-per-his-wife’s-coma father and a teenage daughter with attitude and some other things.  My tastes don’t always run that way.

The Artist (Motion Picture, Comedy or Musical; Actor in a Motion Picture, Comedy or Musical [Jean Dujardin])
Also haven’t seen this (it’s not to my town yet, all right?  Our independent theater doesn’t have that many screens, and they usually get things on the late side of timely).  And sure, I’d have picked others in both categories (I mean, I have… weird Bridesmaids feelings, but that’s a lot to do with the marketing, and I don’t know if it was winworthy, but 50/50 was adorable) but I’m sure it’s deserving.  This does bring up the point of the “Comedy or Musical” category being… odd.  From what I can see, this isn’t a wholly comedic film.  But it’s got dancing?  My Week With Marilyn also doesn’t look particularly funny.  Not all musicals are funny, Golden Globes and other award shows.  Just because there’s music doesn’t mean it’s automatically lighthearted and silly.

Beginners (Supporting Actor [Christopher Plummer])
I don’t think I can actually say how much this movie surprisingly made me really, really happy.  I’m not one for romance, usually (and I’ll admit I mostly watched it becaues Ewan McGregor is good business and I love Melanie Laurent with all my heart) but it actually managed to win me over.  And Christopher Plummer’s performance was brilliant and heartstring-tugging, if you’re one whose hearstrings get tugged on.

Hugo (Best Director, Martin Scorcese)
So deserved.  Please let this continue to happen.

Homeland (TV Series, Drama; Actress in a TV Series, Drama [Claire Danes])
Is right at the top of my “I’m going to sit down one day when I have nothing else to do and watch all of this immediately” list, I swear.  I saw part of the first episode, and I was interested, but we just forgot to keep up (we have so many other things to do).  I will say that I’m sure it was well-deserved, even if I was rooting for Boardwalk Empire to take it again, and the periodical flashes over to the Homeland table made me happier than any other table, period.  For this very important reason:

Oh, Morena, who… may be why I originally intended to watch Homeland in the first place, but it seems like an interesting show in its own right, too.

Mildred Pierce (Best Performance by an Actress in a Mini-Series or a Motion Picture Made for TV [Kate Winslet])
I’ve said it before, and hopefully I won’t have to say it again.  I had serious Mildred Pierce problems, but I love Kate always, so I wasn’t too upset.

Game of Thrones (Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV [Peter Dinklage])
Keep on winning the awards, man.  I’m okay with this, he’s brilliant and definitely the only one in the category I actually cared about.  (Cinema Verite was good, really good, really really [okay so my Patrick Fugit was in that, too] good, but Tim Robbins played such a d-bag that I couldn’t root for him.)

American Horror Story (Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV [Jessica Lange])
Someday soon, Kelly Macdonald had better win something, because she’s brilliant, and she keeps getting nominated, but she doesn’t win, ever, and I understand why, but still.  Jessica Lange was also brilliant on this show, as messed up as it really was, as ridiculous as it could be, and I wouldn’t have pegged her for being the winner, but she did a nice job, so I’m not complaining.

 

The Iron Lady
My Week With Marilyn
The Help

Boss
Modern Family
Episodes
Enlightened
Modern Family
Downton Abbey
Luther

–your fangirl heroine.

Superlative Sunday :: the 2011 Emmys and how I feel about them

19 Sep

I’m gonna sort this one by award and just skip the comedy and miniseries categories altogether.  (I watch… Glee of the comedies.  I wasn’t into this season really, and they didn’t win anyway.  So.  I saw The Pillars of the Earth, it was okay.  I saw Mildred Pierce.  They did a good job with completely despicable characters.  I’m happy for Kate and Guy, but I don’t care that much.  I didn’t see any other miniseries nominees.)

So.

Writing, Drama Series:
Mad Men, “The Suitcase,” written by Matthew Weiner
Mad Men, “Blowing Smoke,” written by Andre and Maria Jacquemetton
Friday Night Lights, “Always,” written by Jason Katims
The Killing, “Pilot,” written by Veena Sud
Game of Thrones, “Baelor,” written by David Benioff and D.B. Weiss
My vote was “The Suitcase.”  That episode broke my heart, made me grin like an idiot, and was just generally perfect.  But I’m a Mad Men groupie, basically.  “Blowing Smoke” would have been fine too.  I’d have been completely all right with “Baelor,” too.  I would honestly be tempted to give them an award just for having the nerve to decapitate their main character.  I know this happened in the books, but they very well could have just… not done that.  I wouldn’t have been surprised.  Decapitating the first name in the opening credits is basically unheard of and therefore awesome, and deserved to be rewarded.  And yet… Friday Night Lights won.  I’ve never seen Friday Night Lights, and for all I know it could be brilliant.  But it’s not even on a channel that lets them say the “s word.”  It can’t be nearly as, pardon my French, ballsy as Game of Thrones, and Mad Men has been pushing their envelope lately, too.

Directing, Drama Series:
Boardwalk Empire, “Pilot,” directed by Martin Scorsese

Boardwalk Empire, “Anastasia,” directed by Jeremy Podeswa
The Borgias, “The Poisoned Chalice/The Assassin,” directed by Neil Jordan
The Killing, “Pilot,” directed by Patty Jenkins
Game of Thrones, “Winter is Coming (Pilot),” directed by Tim Van Patten
Touche.  I love Boardwalk deeply, and I really could have accepted any of these choices.  I don’t watch The Killing, but I wouldn’t have been devastated.  Being the HBO whore I am, though, Boardwalk or Game of Thrones was going to get my vote.

Supporting Actress, Drama Series:
Kelly Macdonald as Margaret Schroeder, Boardwalk Empire
Christina Hendricks as Joan [I hate using her married name so hard that I choose to write it out in that way where maiden name comes before married name just ’cause, so Holloway] Harris, Mad Men
Michelle Forbes as Mitch Larsen, The Killing
Archie Panjabi as Kalinda Sharma, The Good Wife
Margo Martindale as Mags Bennett, Justified
Christine Baranski as Diane Lockhart, The Good Wife
As I’d mentioned before, I’d have been all right (more than) with Kelly or Christina.  Kelly’s performance was beautiful, and Christina… well.  Not only am I in love with her, this season brought some wonderful Joan moments that made me want to cry with happiness.  But Margo… damn.  That woman pulled quite the performance out, and it’s not like Mags can come back next season.  Kelly and Christina still have their chances (and anyway, I still got to stare at Christina, wearing her glasses during the ceremony and being perfect).

Supporting Actor, Drama Series:
John Slattery as Roger Sterling, Mad Men
Andre Braugher as Owen, Men of a Certain Age
Walton Goggins as Boyd Crowder, Justified
Peter Dinklage as Tyrion Lannister, Game of Thrones
Josh Charles as Will Gardner, The Good Wife
Alan Cumming as Eli Gold, The Good Wife
The Mad Men groupie in me would have been fine if John won.  Even if sometimes I wanna slap Roger upside the head.  (That means he’s doing a good job performing, right?)  I was all right with Peter winning; I enjoy him.  Tyrion is one of the least d-baggy characters on Game of Thrones (which says something, ’cause he’s still a d-bag sometimes, but hey) and I do appreciate him.  I’d have slapped someone upside the head if either of the Good Wife nominees won (I enjoy Alan Cumming, but really) and likewise Andre Braugher (what even is that show?  I have no idea).  But really.  Really.  WALTON GOGGINS.   (Maybe you were just nervous, Peter, so I’ll try to forgive you for calling him “Walter Goggins” in your speech.)  Hey, but Boyd isn’t dead.  There’s still hope for the future.

Actress, Drama Series:
Elisabeth Moss as Peggy Olson, Mad Men
Connie Britton as Tami Taylor, Friday Night Lights
Mariska Hargitay as Detective Olivia Benson, Law and Order: SVU
Mireille Enos as Sarah Linden, The Killing
Julianna Margulies as Alicia Florrick, The Good Wife
Kathy Bates as Harriet “Harry” Korn, Harry’s Law
WHAT IS THE GOOD WIFE I FEEL COMPELLED TO CAPSLOCK RAGE BECAUSE OF MY IGNORANCE TO IT.  She keeps winning for it, and I know nobody who watches it, including people’s parents.  (Not that I know what a lot of my friends’ parents watch, but still.)  I think I’m just bitter because Elisabeth.  My girl.  I just love Peggy more and more as time goes on, and she’s grown so freaking much, and she’s just an amazing character.

Actor, Drama Series:
Steve Buscemi as Nucky Thompson, Boardwalk Empire
Michael C. Hall as Dexter Morgan, Dexter
Kyle Chandler as Coach Eric Taylor, Friday Night Lights
Jon Hamm as Don Draper, Mad Men
Hugh Laurie as Gregory House, House
Timothy Olyphant as Raylan Givens, Justified
Again.  It could be really good.  It could be absolutely amazing.  Kyle Chandler’s performance could be phenomenal.  I just… I don’t care.  Between the genius that is Steve (anytime, anyplace, ever) and the immense love I have for both Jon (lord, and how brilliant Don Draper is as a character) and Timothy (I’d say more, but coherency would start to lack) I just can’t want anyone else.  It was 50/50 that someone I wanted would win, but 50/50 odds are rarely in my favor.

Drama Series:
Boardwalk Empire
The Good Wife
Mad Men
Friday Night Lights
Dexter
Game of Thrones
Here, though, 50/50 was in my favor.  I’d have been happy with Boardwalk or Thrones, again, and I don’t even care that Mad Men always wins this category.  It always deserves it.  It is telecinematographic perfection, or just about perfection.

–your fangirl heroine.

Television Tuesday :: somehow, the geek in me is cranky.

3 Aug

August 5, 2011 issue of Entertainment Weekly: under the PLUS AN EXCLUSIVE COMIC-CON PHOTO GALLERY STARRING heading we have:

  • Hugh Jackman (okay, comic cred, he’s Wolverine, but here he’s showing off what honestly looks to me like Rock ‘Em Sock ‘Em Robots, the Movie)
  • Emma Stone (okay, comic cred, ish, she’s gonna be Gwen Stacy)
  • Justin Timberlake (showing off some movie called In Time that I’ve never heard of that does not earn you nearly enough cred in my opinion)
  • Chris Evans (okay, Captain America, I’ll give him that)

The article discusses

  • The Amazing Spider-Man briefly (with paragraph and picture)
  • Twilight (with a picture)
  • Cowboys & Aliens
  • The Walking Dead (with a paragraph)
  • The Big Bang Theory
  • Game of Thrones (with a paragraph)
  • Glee (with a picture)
  • Chuck
  • Fringe
  • Twixt (just a picture)
  • True Blood (with several pictures and a paragraph)
  • Tintin (with a paragraph and picture)
  • Ringer (with a paragraph and picture)
  • Snow White and the Huntsman (with a paragraph and picture)
  • The Vampire Diaries (with a picture, costarring the guy from Chuck)
  • Nikita (with a picture)
  • Haywire (with a paragraph, and what even is that?)
  • Spartacus (with a paragraph and picture
  • A panel with Jon Favreau and Guillermo del Toro.

The photo gallery features

  • The cast of  Game of Thrones (well, if “the cast” means Kit Harington, Lena Headey, Nikolaj Coster-Waldau, Emilia Clarke, and Peter Dinklage)
  • Chris Evans
  • Charlize Theron and Kristen Stewart (promoting that Snow White nonsense)
  • Henry Cavill (yum) and Freida Pinto (of Immortals)
  • Taylor Lautner (here for Abduction)
  • Jim Parsons and Mayim Blalik (of The Big Bang Theory)
  • Some folks from True Blood (producer Alan Ball, eh, Kristin Bauer van Straten, Alexander Skarsgard [yum], Kevin Alejandro, and Nelsan Ellis)
  • Carey Mulligan (here for Drive)
  • Sarah Michelle Gellar (here for Ringer and looking adorable)
  • The cast of Total Recall (what is that I don’t even know, but it’s Jessica Beal and Colin Farrell and Kate Beckinsale)
  • The cast of Person of Interest (a crime series that I have never heard of, with Taraji P. Henson, Jim Caviezel, and Michael Emerson)
  • The cast of The Vampire Diaries (Paul Wesley, Nina Dobrev, and Ian Somerhalder)
  • Emma Stone and Andrew Garfield repping Spider-Man
  • The lord my god Joss Whedon, repping The Avengers
  • Francis Ford Coppola, repping Twixt
  • Amanda Seyfried and Justin Timberlake, repping In Time
  • The cast of the new Charlie’s Angels rebot (Annie Ilonzeh, Rachael Taylor, Minka Kelly)
  • Hugh Jackman, repping Real Steel
  • Pee-Wee Herman
  • Andrew Lincoln and Sarah Wayne Calies, repping The Walking Dead
  • Michael C. Hall, repping Dexter

NOW WHAT IS WRONG WITH THIS PICTURE.  I am now switching to numbers to show order of importance.

  1. Really no mention of… y’know, actual comics?
  2. Aside from one picture of Joss, shoved to the sixth page of the photo article, and the True Blood bits, and the Game of Thrones bits, and Sarah Michelle, I can honestly say that none of the reasons I give a damn about this Comic-Con were featured.  And I’m sure I’m not the only irate geek.
  3. If Game of Thrones received such a “roaring reception,” how come half of the paragraph was just about Jason Momoa ’cause of Conan the Barbarian?  The picture only had five of the cast (although Lena Headey and Emilia Clarke are both badass ladies, and Kit Harington is kinda cute).
  4. Etc., etc.  I was a lot angrier before I checked the website’s extra photo galleries.

The website, at least, had some of my people.

 
Two of my man Nathan, one with Joss my god.


A total of one of my darling Felicia Day, who has been declared on the interwebs as the Queen of Comic-Con, and rightly so.  I mean, babygirl has 1,800,000 Twitter followers, and I know nothing about Twitter though I recently joined solely for blogwhoring purposes, but I know that’s impressive, and she’s got, what, two webseries now [The Guild, of which season five just started, and one based on the game Dragon Age coming out soon], and she’s guested on god knows how many epic things and she’s one of two most prolific ladymembers of the Whedon mafia between Buffy and Dollhouse and Dr. Horrible, and THAT ISN’T WORTHY OF APPEARANCE IN YOUR DAMN MAGAZINE BUT TAYLOR LAUTNER IS?


One of Sarah Michelle Gellar.  She’s actually gotten the most decent coverage of any of my nerdloves that aren’t in True Blood in these articles, so good for her.  Ringer is gonna be fun, I hope.


Some shots of the True Blood cast, of course.  I only feature the one of Deborah Ann Woll here because I don’t just wanna be everyone else posting ASkars (as they call him) though I do love him.  But, but, Deborah Ann’s Jessica is… one of my favorite things about the show, honestly, and I am loving this path she’s going down, and that picture is insane with the previously mentioned blue eyes, and.


One freaking picture of the Knights of Badassdom cast.  ONE.  I know it’s an indie flick.  But it’s an indie flick about LARPERS WHO SUMMON A DEMON.  And just look at that cast!  I mean, geek cred out the window, just by virtue of them.  Ryan Kwanten (known for True Blood), Michael Gladis (of Mad Men), Jimmi Simpson (who is also gonna be in Abraham Lincoln: Vampire Hunter!!!), Margarita Levieva (okay, I know her from Adventureland, but hey), SUMMER FREAKIN’ GLAU (my looooooove), Danndy Pudi (of Community), and Peter Dinklage (of Game of Thrones, recently).  COME FREAKIN’ ON ENTERTAINMENT WEEKLY.  This is why geeks go to Comic-Con.

The tagline to the article was “Get ’em to the geeks!  Stars flocked to the annual San Diego gathering — and worked harder than ever to reward faithful fans.”  Sure.  These Hollywood people maybe worked harder than ever, but those not-quite-mainstream celebrities, those that we geeks hold dear, they work hard every year.  I mean, Felicia’s going to a crap ton of Comic-Cons everywhere, for example (and sure I may be a little biased towards loving her ’cause I met her at Emerald City this year).  The people that we love love us back.  They know that we are what make them mighty.

Entertainment Weekly, this is the time that I’m just gonna have to bust out that interwebsism and inform you that yes, I am disappoint.  I know you’re geeky, EW.  The love letter you wrote to a Firefly rerun this spring alone proves that somewhere there is one of you who is a proper geek.  Probably more of you.  Yet, this article mainly focused on the things that would be accessible to “mainstream America” or whatever.  Which, in my humble opinion, misses the point of Comic-Con.  Sure, these things are there.  But the niche-ier things are, too.  And they sorta just got brushed over.

And that makes me sad enough to tl;dr.  For the equivalent of six pages of Word Document.

–your fangirl heroine.