Tag Archives: little women

Theatre Thursday :: examples of the musical theatre Bechdel Test? (A-L)

16 May

This probably shouldn’t be called a variant of the Bechdel Test; there are plenty of musicals where women speak to each other but don’t sing duets/trios/group numbers together.  But that’s what this list is, and I don’t think there’s an official name for it, so I’m just going with it.  Also, this doesn’t count group numbers that have individual lines sung by women and men both or songs that are sung by one woman with an all-female backup.  This is just a list of lady songs.  (Girls and women who sing musical theatre are always looking for songs like this to do in concerts with friends, it is known.)  And unfortunately, while the Bechdel Test proper excludes conversations held solely about men, this list cannot do so; since such a large proportion of the musical theatre catalogue as a whole is comprised of songs about romance, not including songs about romance on this list would make it itsy bitsy.  And this is only the musicals I am familiar with from the list.  Starred* items are ones that people I know have sung publicly in the past.

Annie by Charles Strouse: “Hard Knock Life,” sung by the orphans (I think this is why so many theatrically inclined little girls like Annie, because they can all be in it with their friends).*
Bernarda Alba by Michael John LaChiusa: is 100% ladies.  It’s an all-lady cast.  And it’s weird, but it’s fabulous.
Bye Bye Birdie by Charles Strouse: “What Did I Ever See In Him?” sung by Rosie and Kim.*
Carousel by Rodgers and Hammerstein: “You’re a Queer One, Julie Jordan,” sung by Carrie and Julie.*
Chicago by Kander and Ebb: “Cell Block Tango,” sung by Velma and the merry murderesses (this counts because they all have solos), “My Own Best Friend,” sung by Roxie and Velma (not in the film).
A Chorus Line by Hamlisch and Kleban: “At the Ballet,” sung by Sheila, Bebe, and Maggie.
Fiddler on the Roof by Bock and Harnick: “Matchmaker,” sung by Hodel, Chava, and Tzeitel.*
Grease by Casey and Jacobs: “It’s Raining On Prom Night,” sung by Sandy and a radio singer.*
Hairspray by Shaiman and Wittman: “Mama, I’m a Big Girl Now,” sung by Tracy, Penny, Amber, and their mothers.*
Into the Woods by Stephen Sondheim: “A Very Nice Prince,” sung by Cinderella and the Baker’s Wife.*
Legally Blonde by Benjamin and O’Keefe: “Ohmygod You Guys,” sung by Elle, Serena, Margot, Pilar and Company.*
The Light in the Piazza by Adam Guettel: “Statues and Stories,” sung by Margaret and Clara.
Little Women by Howland and Dickstein: “An Operatic Tragedy,” sung by all four sisters, “Our Finest Dreams,” sung by all four sisters, “I’d Be Delighted,” sung by Marmee, Meg, Beth, and Jo, and “Some Things Are Meant To Be,” sung by Beth and Jo.
Little Shop of Horrors by Menken and Ashman: the “Prologue,” sung by the Do-Wop Girls.*

–your fangirl heroine.

judging the fuck out of everyone in this room

Things in Print Thursday :: a play-by-play of someone’s list of the top 50 children’s books of all time and females.

25 Apr

List found here.

Female central protagonist
Alice in Wonderland by Lewis Carroll (with the titular Alice)
The Little House books by Laura Ingalls Wilder (with Laura, who wrote them)
Matilda by Roald Dahl (with the titular Matilda)
The Secret Garden by Frances Hodgson Burnett (with Mary Lennox)
Little Women by Louisa May Alcott (with Jo March)
A Wrinkle in Time by Madeleine L’Engle (with Meg Murry)
Madeline by Ludwig Bemelmans (with the titular Madeline)
Heidi by Johanna Spyri (with the titular Heidi)
A Little Princess by Frances Hodgson Burnett (with Sara Crewe)
Anne of Green Gables by L. M. Montgomery (with the titular Anne)
Pippi Longstocking by Astrid Lindgren (with the titular Pippi)
The Ramona Quimby books by Beverly Cleary (with the titular Ramona)

12 titles.  9 with female authors.

Female author
The Harry Potter books by J. K. Rowling
The Little House books by Laura Ingalls Wilder
Goodnight Moon by Margaret Wise Brown
The Tale of Peter Rabbit by Beatrix Potter
The Giver by Lois Lowry
Black Beauty by Anna Sewell
The Secret Garden by Frances Hodgson Burnett
Little Women by Louisa May Alcott
A Wrinkle in Time by Madeleine L’Engle
The Indian in the Cupboard by Lynne Reid Banks
Heidi by Johanna Spyri
A Little Princess by Frances Hodgson Burnett
Anne of Green Gables by Lucy Maud Montgomery
Pippi Longstocking by Astrid Lindgren
Stone Soup by Marcia Brown
The Ramona Quimby books by Beverly Cleary

16 titles.  Yeesh.

Also of note: only 2 titles on this list (A Little Princess and Stone Soup) did not appear on any of the other lists I’ve reviewed.

–your fangirl heroine.

restless

Things in Print Thursday :: a play-by-play of someone’s list of the 100 best children’s chapter books of all time and females

18 Apr

Specifically chapter books, yes.  Which will be interesting.  List here.

Female central progatonist
A Wrinkle in Time by Madeleine L’Engle (with Meg Murray)
From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg (with Claudia Kincaid)
The Secret Garden by Frances Hodgson Burnett (with Mary Lennox)
Anne of Green Gables by L. M. Montgomery (with Anne Shirley)
Because of Winn-Dixie by Kate DiCamillo (with India Opal Buloni)
Alice in Wonderland by Lewis Carroll (with the titular Alice)
Tuck Everlasting by Natalie Babbitt (with Winnie Foster)
Island of the Blue Dolphins by Scott O’Dell (with Karana)
The Golden Compass by Philip Pullman (with Lyra Belacqua)
Number the Stars by Lois Lowry (with Annemarie Johansen)
Harriet the Spy by Louise Fitzhugh (with the titular Harriet)
Coraline by Neil Gaiman (with the titular Caroline)
Mrs. Frisby and the Rats of NIMH by Robert C. O’Brien (with the titular Mrs. Frisby)
Julie of The Wolves by Jean Craighead George (with Miyax)
Ella Enchanted by Gail Carson Levine (with the titular Ella)
Matilda by Roald Dahl (with the titular Matilda)
Little House on the Prairie by Laura Ingalls Wilder (with Laura, who wrote it)
Little Women by Louisa May Alcott (with Jo March)
Inkheart by Cornelia Funke (with Meggie)
The Witch of Blackbird Pond by Elizabeth George Speare (with Kit Tyler)
Are You There, God?  It’s Me, Margaret by Judy Blume (with the titular Margaret)
Roll of Thunder, Hear My Cry by Mildred D. Taylor (with Cassie Logan)
When You Reach Me by Rebecca Stead (with Miranda Sinclair)
The Wonderful Wizard of Oz by L. Frank Baum (with Dorothy Gale)
Ramona the Pest by Beverly Cleary (with the titular Ramona)
The Penderwicks by Jeanne Birdsall (with Rosalind Penderwick)
Sarah, Plain and Tall by Patricia MacLachlan (with the titular Sarah)
The Secret of the Old Clock by Carolyn Keene (with Nancy Drew)
Walk Two Moons by Sharon Creech (with Salamanca Tree Hiddle)
The Borrowers by Mary Norton (with Arrietty)
City of Ember by Jeanne Duprau (with Lina Mayfleet)
Judy Moody by Megan McDonald (with the titular Judy)
Mary Poppins by P. L. Travers (with the titular Mary)
Out of the Dust by Karen Hesse (with Billie Jo)
Where the Mountain Meets the Moon by Grace Lin (with Minli)
Beezus and Ramona by Beverly Cleary (with the titular Ramona)
Caddie Woodlawn by Carol Ryrie Brink (with the titular Caddie)
The Little White Horse by Elizabeth Goudge (with Maria Merryweather)
Pippi Longstocking by Astrid Lindgren (with the titular Pippi)

40 titles.  32 with female authors.

Female author
Harry Potter and the Sorcerer’s Stone by J. K. Rowling
A Wrinkle in Time by Madeleine L’Engle
From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsberg
The Secret Garden by Frances Hodgson Burnett
Anne of Green Gables by L. M. Montgomery
The Tale of Despereaux by Kate DiCamillo
Because of Winn-Dixie by Kate DiCamillo
Harry Potter and the Goblet of Fire by J. K. Rowling
The Miraculous Journey of Edward Tulane by Kate DiCamillo
Bridge to Terabithia by Katherine Paterson
Tuck Everlasting by Natalie Babbitt
Number the Stars by Lois Lowry
Harriet the Spy by Louise Fitzhugh
Black Beauty by Anna Sewell
Julie of The Wolves by Jean Craighead George
Ella Enchanted by Gail Carson Levine
Little House on the Prairie by Laura Ingalls Wilder
Harry Potter and the Deathly Hallows by J. K. Rowling
Little Women by Louisa May Alcott
Inkheart by Cornelia Funke
The Witch of Blackbird Pond by Elizabeth George Speare
Are You There, God?  It’s Me, Margaret by Judy Blume
Harry Potter and the Prisoner of Azkaban by J. K. Rowling
Roll of Thunder, Hear My Cry by Mildred D. Taylor
When You Reach Me by Rebecca Stead
Ramona the Pest by Beverly Cleary
The Penderwicks by Jeanne Birdsall
Sarah, Plain and Tall by Patricia MacLachlan
The Secret of the Old Clock by Carolyn Keene (this is debatable, but)
Walk Two Moons by Sharon Creech
The Borrowers by Mary Norton
The Thief Lord by Cornelia Funke
My Side of the Mountain by Jean Craighead George
City of Ember by Jeanne Duprau
Judy Moody by Megan McDonald
Mary Poppins by P. L. Travers
Love That Dog by Sharon Creech
Out of the Dust by Karen Hesse
Johnny Tremaine by Esther Forbes
Where the Mountain Meets the Moon by Grace Lin
The View From Saturday by E. L. Koningsburg
Beezus and Ramona by Beverly Cleary
Caddie Woodlawn by Carol Ryrie Brink
The Indian in the Cupboard by Lynne Reid BanksHarry Potter and the Chamber of Secrets by J. K. Rowling
The Little White Horse by Elizabeth Goudge
Pippi Longstocking by Astrid Lindgren

45 titles.  The newest most respectable statistic.

–your fangirl heroine.

just straight up furious

Things in Print Thursday :: a play-by-play of someone else’s list of the top 100 children’s books of all time and females.

4 Apr

List found here.  This one may have a slightly different selecting audience, as it is a website called TeachersFirst.  This list is also interesting because it’s sorted into age group categories.

Female central protagonists
Little Women by Louisa May Alcott (with Jo March)
Heidi by Johanna Spyri (with the titular Heidi)
Stellaluna by Janell Cannon (with the titular Stellaluna)
Strega Nona by Tomie De Paola (with the titular Strega Nona)
Amazing Grace by Mary Hoffman (with the titular Grace)
Math Curse by Jon Scieszka (with an unnamed heroine)
Lilly’s Purple Plastic Purse by Kevin Henkes (with the titular Lilly)
The Little House by Virginia Lee Burton (with the titular house)
Amelia Bedelia by Peggy Parish (with the titular Amelia)
The Paper Bag Princess by Robert N. Munsch (with the titular princess, Elizabeth)
A Wrinkle in Time by Madeleine L’Engle (with Meg Murry)
Little House on the Prairie by Laura Ingalls Wilder (with Laura Ingalls Wilder)
The Secret Garden by Frances Hodgson Burnett (with Mary Lennox)
Sarah, Plain and Tall by Patricia MacLachlan (with the titular Sarah)
Island of the Blue Dolphins by Scott O’Dell (with Karana)
Little House in the Big Woods by Laura Ingalls Wilder (with Laura Ingalls Wilder)
Roll of Thunder, Hear My Cry by Mildred D. Taylor (with Cassie Logan)
Number the Stars by Lois Lowry (with Annemarie Johansen)
Matilda by Roald Dahl (with the titular Matilda)
Ramona Quimby, Age 8 by Beverly Cleary (with the titular Ramona)
Tuck Everlasting by Natalie Babbitt (with Winnie Foster)
Anne of Green Gables by Lucy Maud Montgomery (with the titular Anne)
The Great Gilly Hopkins by Katherine Paterson (with the titular Gilly)
Little House books by Laura Ingalls Wilder (with Laura Ingalls Wilder)
Harriet the Spy by Louise Fitzhugh (with the titular Harriet)
Walk Two Moons by Sharon Creech (with Sal Hiddle)
The Witch of Blackbird Pond by Elizabeth George Speare (with Kit Tyler)

28 titles.  16 of which were from the “Books for Children Ages 9-12″ category.  21 of which had female authors.

Female authors
Little Women by Louisa May Alcott
Heidi by Johanna Spyri
Goodnight Moon by Margaret Wise Brown
The Runaway Bunny by Margaret Wise Brown
Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst
Stellaluna by Janell Cannon
The Velveteen Rabbit by Margery Williams
If You Give a Mouse a Cookie by Laura Joffe Numeroff
Amazing Grace by Mary Hoffman
The Napping House by Audrey Wood
The Tale of Peter Rabbit by Beatrix Potter
Basil of Baker Street by Eve Titus
Wilfrid Gordon McDonald Partridge by Mem Fox
Amelia Bedelia by Peggy Parish
Caps for Sale by Esphyr Slobodkina
Bridge to Terabithia by Katherine Paterson
A Wrinkle in Time by Madeleine L’Engle
Shiloh by Phyllis Reynolds Naylor
Little House on the Prairie by Laura Ingalls Wilder The Secret Garden by Frances Hodgson Burnett
The Boxcar Children by Gertrude Chandler Warner
Sarah, Plain and Tall by Patricia MacLachlan
The Indian in the Cupboard by Lynne Reid Banks
The Giver by Lois Lowry
Little House in the Big Woods by Laura Ingalls Wilder
Roll of Thunder, Hear My Cry by Mildred D. Taylor
Number the Stars by Lois Lowry
The Best Christmas Pageant Ever by Barbara Robinson
Tales of a Fourth Grade Nothing by Judy Blume
Ramona Quimby, Age 8 by Beverly Cleary
Tuck Everlasting by Natalie Babbitt
Anne of Green Gables by Lucy Maud Montgomery
The Great Gilly Hopkins by Katherine Paterson
Little House books by Laura Ingalls Wilder
Harriet the Spy by Louise Fitzhugh
My Father’s Dragon by Ruth Stiles Gannett
Walk Two Moons by Sharon Creech
The Witch of Blackbird Pond by Elizabeth George Speare
The Sign of the Beaver by Elizabeth George Speare

39 titles.

–your fangirl heroine.

Things in Print Thursday :: 5 of my childhood series-related literary heroines

7 Mar

Some of whom I’ve talked about before, but so be it.  And by childhood, I mean elementary school: I’m saving my later heroines for a later post.  (Which means that because I didn’t read Harry Potter till sixth grade, I will be discussing Hermione [and Luna, and Tonks] then.)

5. Carole Hansen (The Saddle Club)
I was introduced to The Saddle Club by a good friend of mine in fifth grade, and I wound up choosing Carole as my favorite by default, sort of.  As I’ve before mentioned, almost every group of friends I’ve ever been in has had the tendency to cast ourselves/each other into everything, and this particular friend of mine had a tendency to authoritatively dibs characters.  She’d called dibs on Lisa before even handing me one of the books (the slightly older one was one of her tropes of choice) so it was a pretty easy choice: Stevie, while cool enough, was a tomboy who also had a boyfriend, and with the exception of Little Women, I did not dibs tomboys when I was a kid.  It just wasn’t me.  Also, characters who dated weren’t me.  Carole was pretty cool: Wikipedia says of her that “she is very organized as far as horses are concerned, but she can be scatterbrained regarding anything else. She tends to be a know-it-all at times, but sometimes it is very helpful.”

4. Jo March (Little Women)
When I was really little, I tended to see myself as a Meg: I was a very fancy child and I liked that.  Then I was a Beth, because in real life I was often the “nice one” and at least partially the baby of the group.  (Because Beth was often the baby even though Amy was younger, just because Amy was so in-your-face.)  But by about third grade, I’d realized that nope, I was a Jo all the way.  I’d established my identity as a Very Dramatic-Minded Writer Type really early on, and that was the fundamental truth of Jo March.  (In retrospect, I also see that while I could sometimes be quite passive and can still tend toward that in circumstances, there is a definite stubborn streak in me, even if not always vocalized.)

3. Megan Ryder (The Magic Attic Club)
Megan, as I have before said, was totally my favorite of these guys.  She was the bookish, glasses-wearing ginger.  Her color was yellow (which was my favorite color around the time I got her, at least).  She had adventures where she was a princess, a gymnast, a cowgirl, a skiier, someone at a masquerade, someone in ancient Greece, someone… hunting butterflies, I think?  And I did tend to gravitate sometimes toward the perfectionists (Carole was this too, sometimes, as was soon-to-be-discussed Mary Anne).  Also, I seem to remember she enjoyed writing or theatrical directing or maybe both?  These books aren’t even on Wikipedia, so I can’t verify, but this is what my memory says.

2. Kirsten Larson (American Girl)
Kirsten.  Oh, Kirsten, who might not have actually been my favorite if I’d have gotten into these dolls/books a few years later than I did.  Being someone who grew up in Oregon, though, I always had a natural bent toward pioneers, and even though Kirsten didn’t end up in Oregon or anything she was still a pioneer.  I don’t even remember a lot of things about her stories, but I remember I found her little pioneer clothes charming when I was in the single digits of age.  She was really sweet and I think I might have mentioned before that basically Sofia from Deadwood reminds me of a Kirsten doll?  (This, I know, is part of why I love Sofia so much.)

1. Mary Annie Spier (The Baby-sitters Club)
Mary Anne was the organized perfectionist who was shy and also wore glasses.  (I didn’t get glasses till I was in high school, but I did gravitate toward fictional characters who had them anyway.)  I wanted to be Stacey, the glamorous one, when I was really little, but I realized soon after actually starting school and making friends that nope, I was Mary Anne all the way.  Wikipedia says that her secretarial position in the club was “due to her exceptional organization skills and neat handwriting,” and I was always the one who got stuck writing on posters and taking notes for groups in class as a kid because of these things.  I was shyer than I probably was willing to admit at the time, too, and I was always one of those super!!!  Loyal!!!  Friend!!!  Girls!!! (which probably applies to any member of the Baby-sitters Club, but whatever).

–your fangirl heroine.

self-possessed yep

Things in Print Thursday :: 10 books I have read very, very many times indeed

21 Feb

Sort of in order of how many times I’ve read each (though I don’t have exact numbers for any).

10. Me Talk Pretty One Day by David Sedaris
I have several Sedaris books.  I don’t think I’ve ever told you guys the story about the time I met David Sedaris, but that’s why my copy of Dress Your Family in Corduroy and Denim has a jack o’ lantern drawn in it.  (It was the day before Halloween.)  And I’ve read all of the Sedaris books I have many, many times, but Me Talk Pretty One Day was the first one I bought, so I’ve read it the most times.  Somehow it never gets old, either.  But as this list proves, I am one of those insane people who can read something they like over a thousand thousand times and never get tired of it.

9. Anne of Green Gables by L. M. Montgomery
I’ve got all of the books in the series, but by virtue of this one being both the first book in the series and therefore the one I acquired first, I have read it the most times.  Honestly, I’ve only read the ones about her kids a couple of times, being as I acquired them later in childhood and being as I cared less about her kids than I did about Anne herself.  I didn’t not like them, but I have a soft spot for those childhood adventures­­­­ when Anne and her friends were being fanciful and absurd and theatrical, possibly because when we were young, my friends and I tended toward the fanciful and absurd and theatrical.

8. Strange But True by John Searles
I’m not even sure why exactly I’ve read this book so many times.  I remember reading a chapter of it in – I think it must have been Seventeen, but it might have been YM, it was back in the day – and I thought it was interesting enough, so I found the full book.  And the chapter that the magazine contained, while interesting, was very much not indicative of how dark and weird the book was.  It’s timeline-jumpy, it’s dark as hell, it’s got plenty of characters who are in one way or another emotionally grotesque; as per the timeline-jumpiness, parts of it are written in present tense, and despite the fact that I tend to default to writing fiction that way, I don’t read many novels that are that way, so it sort of blew my mind.  I just remember the first time I read one section, where it was describing Melissa, one of the protagonists, in her living room, and started in with “look on the coffee table,” “look in the fridge,” “be careful not to drop it because you’ll wake her.”  I remember that that part sent chills up my spine.  Also I’ve read it so many times because I notice something different each time.

7. The Blind Assassin by Margaret Atwood
I’ve discussed this one before, yes.

6. Hypocrite in a Pouffy White Dress by Susan Jane Gilman
I mentioned this one too, a really long time ago; how I’ve read it so many times the cover’s fallen off, how it means a lot to me even today (the first time I read it, I was probably about thirteen or fourteen and didn’t yet self-identify as a feminist, but I was on the way, and I’m sure this book helped me get there, whether or not I knew it consciously).  There are parts of the author’s experience that I relate to on a really intense level and parts of it that I am still oblivious to, but I find all of it still quite interesting and refreshing.

5. The Perks of Being a Wallflower by Stephen Chbosky
This is one of my blatantly obvious lists in a lot of ways, though considering how much this book means to me, it’s sort of surprising it’s not higher up on this list: this is because though I’ve read it many, many times, I’ve also leant my copy to so many people so many times that it’s rarely in my own possession.  I don’t even know who has it for sure (I think I know, but) and though I want it back someday to look over all my old high school age scribblings in the margins, I might just buy another copy to make sure I have one.  I wouldn’t mind owning two copies.  It’s that kind of book.

4. Special Topics in Calamity Physics by Marisha Pessl
I’m about due for one of my rereads of this book; I don’t know how many times I’ve read it, but it’s a lot.  And I’m not going to talk much about it right now, because once I’m done with that reread, whenever that may be, I plan on writing a giant post about it.  It really is a lovely book and I love it in a lot of strange, messed up ways that are indicative of my warped sense of humor and also my warped everything else.

3, 2, 1. Little Women, Little Men, and Jo’s Boys by Louisa May Alcott
I’m pretty sure you all could figure this out.  And honestly, if I was putting them individually on this semi-quantitative list, I’d probably put Little Men around the middle and Jo’s Boys toward the end.  This is another one of those chronology-of-acquiring points; this is also because I have reread the original multiple times as an adult, but I haven’t reread the sequels since I was in junior high.  One of the reasons these books top this list is because I have read them all countless times by myself and also read them multiple times with my mother when I was a child.  (If I remember correctly, these and Anne of Green Gables the original were the only ones we read out loud multiple times; we read a lot of books once, but we’d often cycle back to these out of affection.)  And anyway, these will always be some of my favorites.

–your fangirl heroine.

i can geek like a pro

Things in Print Thursday :: in which I am somewhat of a robot regarding literary romance.

14 Feb

I was going to make a list tonight of romantic couples in literature that I’ve had strong emotional reactions to – not just “oh, okay, I’m good with that,” but “oh my gosh I love you guys so so much.”  It’s Valentine’s, after all, and if there’s any time to have those sorts of discussions, it’s probably now.

But then I started making the list.  And got stuck almost immediately.  I could make a list of times I mentally shrieked “no no stop it do not want” easy, I could make a list of times I went “really guys?  Are we doing this now?” easy, I could make a list of times I went “oh, okay, I’m good with that” pretty easily.  I don’t know why it is, but I have an easier time attaching to romantic couples in visual mediums, I think.  I also just don’t have an easy time attaching to romantic couples, period (this is a ridiculous statement, because I offer so many !!! about the romantic couples I do get attached to, but just know that the ones I talk about [a lot] are comparatively fewer when you consider the overall number of couples I’ve witnessed at any point – I can watch entire shows or movies without having romantic feelings about anyone, or only really having “oh, okay, I’m good with that” feelings.  Those just aren’t the ones I discuss).

This could be because some of my favorite books, while featuring romance, are mostly about friendship.

  • The Perks of Being a Wallflower, definitely: while Charlie likes Sam, it’s not really the main point of the story, and while I do and always have kind of shipped Alice/Mary Elizabeth, it’s definitely not the main point and really more of a peripheral thought than an all-consuming need.  It’s mostly about these guys all being friends and what that spells out.
  • How I Paid for College, well, everyone’s sort of having sexy thoughts about everyone, but mostly the point of the story is their relationships not entirely in a romantic sense?  Like that’s mostly what I’ve taken away from it.
  • Special Topics in Calamity Physics, wherein yes, there is a weird vampire-family vibe amongst the Bluebloods actually, and there is that whole mess between Blue and Charles, and let’s not even talk about the Hannah dynamics, but it’s actually mostly a crazy noir murder mystery wrapped in a story about questionable friendships.

Some of the books from my childhood featured romance, and I reacted emotionally to it, but mostly because I was busy reacting emotionally to everything in the story.

  • Little Women and its sequels, wherein yeah, I probably shipped Jo/Teddy as a kid (I know I didn’t like that he ended up with Amy) but it was never a devastating thing; I reacted super-emotionally to happenings between Meg and John Brooke and between Jo and Professor Bhaer (I just feel weird using his first name) but not necessarily from a purely romantic-reaction standpoint.
  • Anne of Green Gables and its sequels, wherein yeah, I was comfortable with Anne/Gilbert, but it was never an all-consuming “oh my gosh I love you guys so so much.”

I’ve read plenty of other books with romance and been okay with it.  Sometimes I read books with romance and even go “I hope this works out for you.”  But it’s rarely much more than that, and whether this is because I just haven’t read those books that give me those feelings or because I just don’t often feel inclined to have them this strongly with books, this just seems to be the case.

(I’ve basically never had a proper emotional reaction to a romance in even an adaptation of a “great romance,” case in point.)

So I guess I’m just going to be spending the rest of my Valentine’s Day listening to the Light in the Piazza album, because it is the most romantic album I can think of (and also I miss back when I felt comfortable having a crush on Matthew Morrison because he was singing in Italian) and because it’s beautiful.  (I considered a “most romantic musicals in my opinion” list too, but a lot of my favorite musicals, while featuring romance, are somewhat messed up, so it would be a pretty short list too.)

(Oh, and in case you were wondering, the couples on my list were, once I stopped thinking about books from the 1800s that I read in childhood: everyone I also put on a Valentine on Tuesday [though I tend to have fewer romance feelings regarding Dany and Doreah in the books, honestly, and this is mostly because Doreah dies earlier so there’s less time for coy glances; this is also because in the books, you don’t get to see the amazing reaction faces Doreah makes in regards to people reacting to Dany] and also Tonks/Lupin, and that somewhat because my friend and I surprise-called it approximately a book in advance for no real reason and it came true.)

–your fangirl heroine.

hurrah ginger prostitutes

Theatre / Things in Print Thursday :: 5 more musicals based on works of literature

7 Feb

Last week was five musicals based on works of literature that I am/was really deeply attached to in some weird, significant way (probably circa high school).  This week?  Just five more that I’m halfway familiar with.

5. Seussical, derived from the works of Dr. Seuss (musical by Lynn Ahrens and Stephen Flaherty)
I actually… kind of hate Seussical.  Have I mentioned this before?  I’m not sure if I have, but it’s true.  I of course read Dr. Seuss stories when I was little, and I’ve seen the How the Grinch Stole Christmas cartoon a bunch of times, because when I was a child, I watched Christmas cartoons over and over during the holidays.  I wouldn’t say I was ever a big Seuss person, though, and the musical is really not my thing.  I don’t begrudge anyone their enjoyment of it, of course, but I’ve seen it twice and that’s two times too many.  (Of course, this may have something to do with the fact that both times were the junior version, and junior versions are often disappointing overall.)

4. Big River, derived from The Adventures of Huckleberry Finn by Mark Twain (musical by William Hauptman and Roger Miller)
I have no real problems with Big River.  I was not a fan of Huckleberry Finn when I was in high school (though this could have been because most of the things I read in that particular English class were not things I enjoyed to read, largely because of the way the class was structured) and I don’t really feel compelled to ever read it again, but the musical is all right.  Not something I listen to for fun, but pretty interesting to watch.

3. Peter Pan by J. M. Barrie (musical by Mark “Moose” Charlap, Jule Styne, Carolyn Leigh, Betty Comden and Adolph Green)
I have never seen this staged, but oh my gosh, I think I almost wore out my copy of the VHS tape of the Mary Martin production when I was a kid.  I watched it over and over and over again.  I loved this tape so much, and despite loving the tape, liking the Disney movie okay, and the book being technically for children, I didn’t read it until I was in high school.  I’m sort of over the Peter Pan mythos as a whole now (okay, a lot over it, actually; I reread it for a class last term and sighed many times) but I do have fond memories of the production on tape from when I was little and didn’t know any better.

2. Les Miserables by Victor Hugo (musical by Claude-Michel Schönberg, Alain Boublil and Jean-Marc Natel, and Herbert Kretzmer)
I never finished reading Les Mis, as I’ve said before.  And I’m thinking that maybe someday I should; I’ve seen so much meta on tumblr lately that I’m starting to think that I’d actually kind of like Cosette if I knew her better, but without having read the book or anything, I don’t, really.  The advantage of a book being 1000+ pages is that it has more time to get into the intricacies of things that a 2-3 hour musical cannot really get into properly.  So, someday.  Maybe.  I have a few other 1000+ page books to get done first, but someday.

1. Little Women by Louisa May Alcott (musical by Allan Knee, Mindi Dickstein, and Jason Howland)
It’s been made abundantly clear to you all how strongly I feel about Little Women, and this hasn’t waned as I’ve gotten older.  Little Women is a beautiful book.  The musical is pretty okay, too.  It’s not anything overwhelmingly showstopping or particularly memorable, but it’s solid.  It’s good.  It didn’t change too much of the original story, and the songs are nice, and also “Some Things Are Meant to Be” has occasionally gotten me choked up before, so that’s a high compliment.

–your fangirl heroine.

bravery resolve

Things in Print Thursday :: a play-by-play of how many SparkNoted titles have female narrators (I-L)

22 Nov

Or central protagonists.  Following the “first character listed under the character section” theory.

I Know Why the Caged Bird Sings by Maya Angelou (with, well, Maya Angelou, who wrote it)
Incidents in the Life of a Slave Girl by Harriet Jacobs (with Linda Brent, who is “a pseudonym for the author”)
I Never Promised You a Rose Garden by Joanne Greenberg (with Deborah Blau)
Iola Leroy by Frances Harper (with the titular Iola)
IRigoberta Menchu by Rigoberta Menchu (with, well, Rigoberta Menchu, who wrote it)
Island of the Blue Dolphins by Scott O’Dell (with Karana)
I Stand Here Ironing by Tillie Olsen (with a nameless narrator)
Jane Eyre by Charlotte Bronte (with the titular Jane)
Jazz by Toni Morrison (with Violet)
The Jilting of Granny Weatherall by Katherine Ann Porter (with the titular Granny)
Journey Into the Whirlwind by Eugenia Ginzburg (with, well, Eugenia Semyonova Ginzburg, who wrote it)
The Joy Luck Club by Amy Tan (with Jing-mei/June Woo)
The Joys of Motherhood by Buchi Emecheta (with Nnu Ego)
Kindred by Octavia Butler (with Dana)
The Kitchen God’s Wife by Amy Tan (with Winnie Louie)
Lady Chatterly’s Lover by D. H. Lawrence (with the titular Lady Chatterly)
Lieutenant Nun by Catalina de Erauso (with, well, Catalina de Erauso, who wrote it)
Like Water for Chocolate by Laura Esquivel (with Tita)
Little Women by Louisa May Alcott (with Jo March)
The Lottery by Shirley Jackson (with Tessie Hutchinson)
Lucy: A Novel by Jamaica Kincaid (with the titular Lucy)
Lysistrata by Aristophanes (with the titular Lysistrata)

22 titles.  5 of which are autobiographical to some extent.  19 of which have female authors.

–your fangirl heroine.

Things in Print Thursday :: a play-by-play of how many of someone’s 100 books to read before you die have female narrators

18 Oct

Or in cases of third-person narration, female central protagonists.  Again using this list.

Pride and Prejudice by Jane Austen (with Lizzy Bennet; this is a romance from the 1800s)
Jane Eyre by Charlotte Bronte (with the titular Jane; this is rather a romance from the 1800s)
To Kill a Mockingbird by Harper Lee (with Scout Finch, who is a child)
His Dark Materials by Philip Pullman (with Lyra Belacqua, who is a child)
Little Women by Louisa May Alcott (with Jo March; this is from the 1800s and is somewhat a romance in places, ish)
Tess of the d’Urbervilles by Thomas Hardy (with the titular Tess; this is apparently sexual, ans is from the 1800s)
Well, Shakespeare has a lot of relatively main ladies.  But since they’re plays, I can’t count any as narrators or anything.
Rebecca by Daphne du Maurier (with a lady narrator called Mrs. de Winter and also the titular Rebecca is important)
Gone With the Wind by Margaret Mitchell (with Scarlett O’Hara; this is a romance about the 1800s)
Bleak House by Charles Dickens (with Esther Summerson, apparently; this is from the 1800s)
Alice in Wonderland by Louis Carroll (with the titular Alice, who is a child from the 1800s)
Anna Karenina by Leo Tolstoy (with the titular Anna; this is a somewhat a romance from the 1800s)
Emma by Jane Austen (with the titular Emma; this is a romance from the 1800s)
Persuasion by Jane Austen (with Anne Elliot; this is a romance from the 1800s)
Memoirs of a Geisha by Arthur Golden (with Chiyo Sakamoto)
Anne of Green Gables by L. M. Montgomery (with the titular Anne, who is a child from the 1800s)
The Handmaid’s Tale by Margaret Atwood (with Offred)
Atonement by Ian McEwan (with Briony Tallis; this has a lot of romance)
Sense and Sensibility by Jane Austen (with Elinor Dashwood; this is a romance from the 1800s)
The Lovely Bones by Alice Sebold (with Susie Salmon)
Bridget Joness Diary by Helen Fielding (with the titular Bridget; this is a romance)
The Secret Garden by Frances Hodgson Burnett (with Mary Lennox, who is a child in the 1800s)
Vanity Fair by William Makepeace Thackeray (with Amelia Sedley and Becky Sharp; this is a romance from the 1800s)
The Color Purple by Alice Walker (with Celie)
Madame Bovary by Gustave Flaubert (with the titular Emma Bovary; this is a romance from the 1800s)
A Town Like Alice by Nevil Shute (with Jean Paget)

28 of 100 titles, because I’m not counting “groups of protagonist” stories like The Chronicles of Narnia or something.  Interestingly, 15 of them are about and/or from the 1800s, 5 are about children, and 4 are by Jane Austen.

–your fangirl heroine.

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